Timeline Analog 5: 1991-1996

Author:   John Buck
Publisher:   Tablo Pty Ltd
Volume:   5
ISBN:  

9781925880519


Pages:   290
Publication Date:   20 February 2019
Format:   Paperback
Availability:   In stock   Availability explained
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Timeline Analog 5: 1991-1996


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Overview

Timeline Analog 5 (1991-1996) traces the amazing story of editing's evolution from repairing prints to creating stories. Read how Ubillos, Maltz, Warner and Molinari defined a new environment for editors. Explore the stories of FAST, Radius, Final Cut, in-sync and others as they build wondrous new tools for editing.

Full Product Details

Author:   John Buck
Publisher:   Tablo Pty Ltd
Imprint:   Tablo Pty Ltd
Volume:   5
Dimensions:   Width: 14.00cm , Height: 1.70cm , Length: 21.60cm
Weight:   0.372kg
ISBN:  

9781925880519


ISBN 10:   1925880516
Pages:   290
Publication Date:   20 February 2019
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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"John Buck (left) has been an editor since he needed a way to cut his Super 8 mm camera rushes. Using a splicer and cement, he cut together parodies of TV shows for screening in a home cinema, and eventually graduated to local filmmaker festivals. After being fired from his first full-time job as a junior advertising agency producer, John struggled to explain his skill set to the employment official. His father advised him to ""get a job that people can understand what it is that you do"". The manager of a production company saw potential, and offered him a role as an editor on the midnight shift. John turned his Super 8 mm cutting abilities to 3/4"", 1"" and 2"" tape. He edited everything from commercials to auctions. High fashion to sheep teeth. With a skill that people could understand he left Taimac, and began editing in earnest at local television station TVW-7. With a 6pm deadline, an accommodating boss and a talented senior editor to guide him, Buck became an editor. He took those skills across the country to a job on the international TV show Beyond 2000 where he helped create award winning programs. Eventually it was time to branch out on his own, but he was unable to afford the Avid that was so mesmerizing at a trade demo. Backed once again by his parents, he took a chance and bought a Media 100 digital nonlinear editing system. One unit became two, and three and four. A one man band became a thriving business."

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