Overview

Time on the Brink of Impasse explores a pivotal decade in French cultural history through the lenses of literature, film, and critical theory. The 1970s in France are often dismissed as a period of blocked historical imagination. This book argues that the period’s literature and cinema reflect not disorientation or despair but a decade animated by artistic responses to new experiences of time. Returning to influential theorists of postmodernity, including Fredric Jameson, Jean-François Lyotard, and Jean Baudrillard, Time on the Brink of Impasse investigates how artists represented new experiences of time. Through close readings of writers and filmmakers including by Agnès Varda, Rachid Boudjedra, Chantal Akerman, Georges Perec, Sarah Maldoror, and Carole Roussopoulos, the book examines how aesthetic form registered new temporal imaginaries. By situating culture within the broader context of work, housing, migration, and gender activism, Murray’s book offers a fresh perspective on how historicity was rethought after the end of the postwar period. Historically grounded and theoretically lucid, Time on the Brink of Impasse reveals a period alive with possibility.

Full Product Details

Author:   Brittany Murray
Publisher:   Fordham University Press
Imprint:   Fordham University Press
ISBN:  

9781531513726

ISBN 10:   1531513727
Pages:   176
Publication Date:   07 July 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available  
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Table of Contents

Introduction, Then and Now 1 Time before the Seventies, 4 • Temporal Disarray, 7 • A Crisis in Historicity?, 9 • Imagining Time Otherwise, 14 • The Book’s Chapters, 15 1. After the Working Day 19 National Planning and Chronométrage, 24 • Contesting Time in the 1970s, 26 • Le Temps incertain: ""large puddles of time"", 29 • Experiments in Form, 31 • Michel Jeury and cinéma militant, 32 • Rethinking the Crisis in Historicity, 36 2. Women Filmmakers Take Time 39 Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, 44 • The Videos of Carole Roussopoulos, 51 • Sarah Maldoror, Sambizanga, 57 • What Happens When Nothing Is Happening, 63 3. Counter-Mapping Temporal Borders 65 Proliferating Borders, 67 • Literary Cartography, 69 • Counter-Mapping Topographie idéale pour une agression caractérisée, 70 • French Migration Policy, Protest, and the Page, 79 • Conclusion, 84 4. Clarity and Clutter in Urban Space 86 Perec Collects Words at the Place Saint-Sulpice, 89 • The New Society and the Space of the City, 93 • Insides and Outsides, Surfaces and Depths, 97 • Les Halles, Bidonvilles, Cités de Transit, Grands Ensembles, 103 • Forms of Resistance, 107 • Daguerréotypes, 110 Conclusion 118 The 1970s Now, 118 • Periodizing Postmodernism, Periodizing Postmodernity, 120 • Naissance d’un pont: Postmodernity without Postmodernism?, 123 • Cinétracts against Nostalgia, 128 Acknowledgments 135 Notes 137 Works Cited 155 Index 169

Reviews

""Time on the Brink of Impasse shows what we can learn, fifty years on, about how to restore to humanity a sense of historicity, an apprehension that the past inflects the present but does not necessarily determine the future.""---Jennifer Willging, Ohio State University ""Brittany Murray's wonderful analyses reveal the complex mediations between the novels and films of 1970s France and the great social upheavals of that era. Her eyes are also constantly on the present, demonstrating convincingly that these aesthetic and political interventions from the 1970s help us make sense of our world.""---Michael Hardt, author of The Subversive Seventies ""Murray provides a rich alternative account of the aesthetic, political, and economic dimensions of postmodernity. Her revisionist narrative demands that we attend to the powerful political work of artists and collectives that exists underneath or against dominant ideological formations of the era.""---Christopher Breu, Illinois State University

Author Information

Brittany Murray is Assistant Professor of French in the Department of World Languages and Cultures and the Cinema Studies Program at the University of Tennessee, Knoxville. She is the coeditor of Migration, Displacement, and Higher Education, Now What? She has also coedited special issues of South Atlantic Quarterly, CLCWeb: Comparative Literature and Culture, and EuropeNow.

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