|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Rosa BarotsiPublisher: ICI Berlin Press Imprint: ICI Berlin Press Dimensions: Width: 12.70cm , Height: 2.10cm , Length: 20.30cm Weight: 0.463kg ISBN: 9783965580923ISBN 10: 3965580922 Pages: 350 Publication Date: 08 July 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsRosa Barotsi's meticulously researched monograph makes the case for the sensorially rich, politically recalcitrant qualities of Slow cinema as a form of filmmaking that defies the logics of our accelerationist age with its resistant modes of storytelling and beguilingly immersive images. The book situates Slow cinema in relation to both realist and modernist culture, to traditions of European film and to other types of art cinema. Barotsi authoritatively connects her cultural analysis of key works by Albert Serra, Emmanuelle Demoris, Michelangelo Frammartino, and others with the discursive, sociological, and art-institutional contexts in which they were made. Unafraid of the terminological instability that troubles definitions of any kind of filmmaking, she provides a persuasive account of a school of cinema that mobilizes duration in order to observe human experiences of time and everyday life in a manner that is truly 'alive'. Her book allows for the ways Slow cinema can be 'passive-aggressive', and even risk co-option by the capitalist temporalities it sets out to counter. And she makes the case that, where traditional forms of narrative fail, Slow cinema can capture the quotidian experience of being human that can only be known through deliberate and time-consuming modes of observation. - Annie Ring, Associate Professor of German and Comparative Film, Literature and Cultural Theory at University College London and Visiting Fellow at the ICI Berlin Institute for Cultural Inquiry in 2025-26. Author InformationRosa Barotsi is a researcher at the University of Modena and Reggio Emilia and Principal Investigator of the NextGeneration EU-funded project IMFilm. Her research and curatorial work explore the intersections of film, gender, and labour. She is a co-founder of the Feminist Frames network and the In Front of the Factory collective. She recently co-edited the special issue 'Gender and Labour in the Italian Screen Industries' in Comunicazioni Sociali (2023). She was previously a Marie Sklodowska-Curie Fellow and a Fellow at ICI Berlin. Tab Content 6Author Website:Countries AvailableAll regions |