Theatre in Bosnia and Herzegovina, 1992-1995: Actors, Spectators, and Shells that are Far Enough Away

Author:   Senad Halilbašić
Publisher:   Springer Nature Switzerland AG
ISBN:  

9783032116734


Pages:   355
Publication Date:   12 July 2026
Format:   Hardback
Availability:   Not yet available   Availability explained
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Theatre in Bosnia and Herzegovina, 1992-1995: Actors, Spectators, and Shells that are Far Enough Away


Overview

Theatre in Bosnia and Herzegovina, 1992-1995 provides a critical historiography of the activities of institutional theatres in Bosnia and Herzegovina during the war of 1992–1995. Based on the assumption that different contexts of war lead to diverse forms and functions of theatre, this open access book analyses the activities of theatrical institutions in four Bosnian-Herzegovinian cities during wartime. The primary material, collected onsite, includes video recordings of performances, edited plays, theatre programs and newspaper reviews, as well as interviews with contemporary witnesses who were active theatre artists during the war.

Full Product Details

Author:   Senad Halilbašić
Publisher:   Springer Nature Switzerland AG
Imprint:   Palgrave Macmillan
ISBN:  

9783032116734


ISBN 10:   3032116732
Pages:   355
Publication Date:   12 July 2026
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

1 Chapter 1. Introduction: Theatre historiography as conflict research.- Chapter 2. Mostar – Establishing theatres in the midst of war.- Chapter 3. Tuzla – Identity Discourses on the Stages of a Paradoxical City.- Chapter 4. Banja Luka – “As if somebody were directing events there.”.- Chapter 5. Sarajevo – Theatre in the ‘Sarajevo Roulette’.- Chapter 6. Conclusions.

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Author Information

Senad Halilbašić, born in 1988 in Tuzla (Bosnia and Herzegovina), is a theatre scholar and screenwriter. His doctoral research in theatre studies at the University of Vienna forms the basis of this book. He has worked as a postdoctoral researcher at the Department of Slavonic Studies at the University of Vienna and at the Cluster of Excellence Temporal Communities at Freie Universität Berlin. Among his publications is the co-edited volume Theatre in the Context of the Yugoslav Wars (2018), the first comparative study of theatre in the former Yugoslavia during the 1990s. Alongside his academic work, he writes for film and television and teaches screenwriting at the University of Music and Performing Arts Vienna.

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