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9781032610283

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Reviews

“Wow. Two of our finest film scholars, Pamela Robertson Wojcik and Paula J. Massood, have produced a volume that makes us reconsider most of what we thought we knew about American cinema. The introduction alone is worth the price of admission, but the cast of multi-disciplinary historians provides the nuance, depth, and surprise that will keep you coming back for more.” - Eric Smoodin, Professor of American Studies, University of California, Davis, USA and co-editor, The American Film History Reader “Get ready to embark on a historical odyssey where toys, music videos, and female editors comprise the methods, where color technologies, make-up design, and vocal codes reveal cultural friction, where new media resurrects the old, bad challenges good, and perspectives attuned to the complexities of brown, Black, indigenous, queer, youthful, and female-identified lives come together in a verifiable page turner. I haven’t been this excited in a very long while!” - Jennifer M. Bean, Editor-in-Chief, Feminist Media Histories: An International Journal

Author Information

Pamela Robertson Wojcik is the Andrew V. Tackes Professor in Film, Television, and Theatre at the University of Notre Dame, USA; a Guggenheim Fellow; and former President of the Society for Cinema and Media Studies. She is the author most recently of Unhomed: Cycles of Mobility and Placelessness in American Cinema (2024). Paula J. Massood is Professor of Screen Studies at Feirstein Graduate School of Cinema at Brooklyn College, CUNY, USA. She is the author of Black City Cinema: African American Urban Experiences in Film (2003) and Making a Promised Land: Harlem in 20th-Century Photography and Film (2013), editor of The Spike Lee Reader (2007), and co-editor of Media Crossroads: Intersections of Space and Identity in Screen Cultures (2021).

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