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OverviewFull Product DetailsAuthor: Daniel Bishop (Adjunct Assistant Professor of Music, Adjunct Assistant Professor of Music, Indiana University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.40cm , Height: 1.50cm , Length: 15.70cm Weight: 0.386kg ISBN: 9780190932695ISBN 10: 0190932694 Pages: 264 Publication Date: 20 October 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsAcknowledgements Introduction: The Presence of the Past in the New Hollywood Chapter 1: Bonnie and Clyde and the Aural Imagination of American Counterculture Chapter 2: The Revisionist Western and the Mythic Past Chapter 3: The Mythic Elements of Chinatown Chapter 4: Radio, Memory, and the Past in the Nostalgia Film Chapter 5: Badlands and the Music of Temporal Imminence Bibliography IndexReviewsThe Presence of the Past offers a fresh take on many iconic films from the New Hollywood era by exploring underlying tensions between past and present, and myth and history in their soundtracks. Through an erudite and incisive analysis, Bishop reveals how overlapping 'temporal resonances' in these films constitute an essential part of their experiential allure. -Danijela Kulezic-Wilson, author of Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (OUP, 2015) Author InformationDaniel Bishop is an adjunct assistant professor at the Jacobs School of Music at Indiana University, where he teaches in the Music in General Studies program and the Musicology department. His teaching and research focus on film music and sound. Tab Content 6Author Website:Countries AvailableAll regions |
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