Overview

From simple beginnings, Amalia Kussner rose to fame as a talented and bold artist and ultimately became one of the most sought-after miniature portrait painters of the Gilded Age. At a time when the use of photography was on the rise, many still loved miniatures, which had a feeling and soul to them that photos could not duplicate. Miniatures could be worn as jewelry or carried between winter and summer homes and easily set out on display. Amalia’s portraits provided a grandeur that matched how the Gilded Age elite perceived themselves: as royalty. Yet no female portrait artists had the notoriety or esteemed clientèle that Amalia did. Her subjects included members of the Astor family, Consuelo Vanderbilt, “dollar heiress” Minnie Paget, England’s Edward VII, Russia’s Czar Nicholas II and Alexandra, and diamond mine magnate Cecil Rhodes. At the height of her career, from the mid-1890s to early 1910, having a Kussner miniature was just as important an accessory as owning fine jewelry or a mansion in Newport. “Famous sitters, drawn to her by the accuracy and skill of her brush, never failed to become life-long friends,” read her obituary. Amalia’s style was also provocative for the late Victorian period. Her subjects were draped in off-the-shoulder fabrics, with their hair loosely pinned around their heads and tendrils framing their faces, and she often took the liberty to enhance their beauty. Amalia kept the women’s best features but gave them an almost mythical appearance, akin to the fairy queen Titania in A Midsummer Night’s Dream. Amalia has been included, along with other nineteenth-century women artists, in the “first wave of feminism,” in large part because she commanded very high commissions, comparable to male artists of the time. She was fascinating and sometimes mysterious—particularly with regard to her marriage to lawyer Charles du Pont Coudert—and her journey included not only fame and fortune, but also a few lawsuits, scandals, and lies.

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9781493087099

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Amalia Kussner's perseverance opened the doors to royalty and society, but it was her talent that kept her there. The subjects she painted were a ""Who's Who"" of the Gilded Age both in the United States and in Europe. Langone's book restores Amalia to her rightful place in history.--Richard Jay Hutto, Gilded Age historian and author of The Countess and the Nazis: An American Family's Private War Thoroughly engaging! Amalia Kussner's rise to artistic stardom is a must-read for anyone interested in the achievements of women during the Gilded Age.--Alyssa Maxwell, author of the Gilded Newport Mysteries Kathleen Langone presents an enchanting account of a late nineteenth-century art form: portraits of Gilded Age beauties, painted on ivory and often gold-framed. In an era of limited options for creative women, Amalia Kussner was renowned for the delicate beauty of her images. Kussner miniatures have been highly prized and collected by various institutions. Langone has intensively researched these delightful works of art, as well as the talented and tenacious artist herself. The Miniature Painter Revealed presents a little-known but immensely charming facet of Gilded Age feminine culture.--Carol Wallace, author of the New York Times bestseller To Marry an English Lord, an inspiration for Downton Abbey Lively and well-paced, Langone's The Miniature Painter Revealed opens another portal into the Gilded Age--that of a bold, mysterious female artist and the aristocrats and elites who sat for her exquisite portraits.--Esther Crain, founder of Ephemeral New York and author of The Gilded Age in New York, 1870-1910

"Amalia Kussner's perseverance opened the doors to royalty and society but it was her talent that kept her there. The subjects she painted were a ""Who's Who"" of the Gilded Age both in the United States and in Europe. Kathleen Langone's book restores Amalia to her rightful place in history. --Richard Jay Hutto, Gilded Age historian and author of The Countess and the Nazis: An American Family's Private War"

Author Information

Kathleen Langone is a freelance writer and historical researcher whose work has been published in regional New England publications such as Boston Magazine and various newspapers. She is also the host of People Hidden in History, a podcast that highlights fascinating people in the arts and politics who are unknown to the general public. She has been a speaker at museums, historical societies, libraries, the New York Adventure Club, and History Camp, and frequently presents on Amalia Kussner. She lives in Middleton, MA.

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