Great North American Stage Directors Volume 6: Meredith Monk, Richard Foreman, Robert Wilson

Author:   Professor James Peck ,  Professor James Peck ,  Harvey Young ,  Henry Bial
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350045408


Pages:   272
Publication Date:   25 January 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $180.00 Quantity:  
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Great North American Stage Directors Volume 6: Meredith Monk, Richard Foreman, Robert Wilson


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Author:   Professor James Peck ,  Professor James Peck ,  Harvey Young ,  Henry Bial
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Weight:   1.000kg
ISBN:  

9781350045408


ISBN 10:   1350045403
Pages:   272
Publication Date:   25 January 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"List of Figures Series Introduction, James Peck (Muhlenberg College, USA) Acknowledgments Introduction: Theatres of Perception, Ann M. Shanahan (Purdue University, USA) Meredith Monk 1. Meredith Monk: Five Decades of Embodied Innovation, Nancy Putnam Smithner (New York University, USA) 2. The Theatre of Meredith Monk: Embodying Wholeness by Working Between the Cracks, Ann M. Shanahan (Purdue University, USA) Richard Foreman 3. Make 'em dance: The Directorial Strategy of Richard Foreman, Neal Swettenham (Independent Scholar, UK) 4. ""What a Time It Was"": Richard Foreman and the Heyday of the East Village Avant-Garde, David Callaghan (University of Montevallo, USA) Robert Wilson 5. Robert Wilson's Sonosphere, Maria Shevtsova (Goldsmiths, University of London, UK) 6. Standing at the Threshold: Robert Wilson as a Designer-Director, Ewa Kara (Independent Scholar, USA) Notes on Contributors Index"

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Ann M. Shanahan is Chair of the Department of Theatre at Purdue University, USA. Her research interests and teaching specialties include directing, gender and theatrical space, and theatre and social change. Professor Shanahan served as dramaturg for the national touring production of Angels in America, Parts I and II (dir. Michael Meyer), Third (dir. Sarah Gabel) and The Mistress Cycle (dir. Kurt Johns) at Appletree Theatre, among others.

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