Awards

• Winner of Winner of the Music Teacher Magazine Editor's Award 2021.

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9780190922702

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Reviews

"""This book is exactly what violinists need to find practical and profoundly-researched information about anything concerning Baroque style. It is a book all musicians truly interested in delving into historical performance questions should never let out of their sight"" -- Isabelle Faust, violinist ""This is a lot more than a book about how to play the violin. It shows Reiter to be an expert guide in defining a rich cultural context for music-making - and not just violin-playing - and with the potential to shatter dull preconceptions. His practical experience, learning and articulacy combine to enrich and extend our purview of instrumental music extending over five centuries. An excellent and enlightening treasure-trove for all music-lovers."" -- Sir John Eliot Gardiner ""This is an amazing accomplishment, covering all technical, historical and musical aspects of playing as well as how to listen and how to find our inner voice... such a generous gift to Baroque violinists and violists and one that will be hugely appreciated and celebrated! The writing is delightfully methodical and vitally informative, with a constant eye on the sources, humorous and entertaining throughout. A complete joy!"" -- Rachel Podger, Visiting Professor of Baroque violin, Royal Academy of Music London, Royal Welsh College of Music and Drama Cardiff, Juilliard School of Music New York ""Reiter's timely and immensely usable new oeuvre will certainly be an important tool for Baroque string players and their students as well as a powerful reference for modern violinists and viola players who wish to give eloquence and understanding to the glorious string repertory of the 17th and 18th centuries."" -- William Christie"

Reiter's timely and immensely usable new oeuvre will certainly be an important tool for Baroque string players and their students as well as a powerful reference for modern violinists and viola players who wish to give eloquence and understanding to the glorious string repertory of the 17th and 18th centuries. * William Christie * This is an amazing accomplishment, covering all technical, historical and musical aspects of playing as well as how to listen and how to find our inner voice... such a generous gift to Baroque violinists and violists and one that will be hugely appreciated and celebrated! The writing is delightfully methodical and vitally informative, with a constant eye on the sources, humorous and entertaining throughout. A complete joy! * Rachel Podger, Visiting Professor of Baroque violin, Royal Academy of Music London, Royal Welsh College of Music and Drama Cardiff, Juilliard School of Music New York * This is a lot more than a book about how to play the violin. It shows Reiter to be an expert guide in defining a rich cultural context for music-making - and not just violin-playing - and with the potential to shatter dull preconceptions. His practical experience, learning and articulacy combine to enrich and extend our purview of instrumental music extending over five centuries. An excellent and enlightening treasure-trove for all music-lovers. * Sir John Eliot Gardiner * This book is exactly what violinists need to find practical and profoundly-researched information about anything concerning Baroque style. It is a book all musicians truly interested in delving into historical performance questions should never let out of their sight * Isabelle Faust, violinist *

This book is exactly what violinists need to find practical and profoundly-researched information about anything concerning Baroque style. It is a book all musicians truly interested in delving into historical performance questions should never let out of their sight -- Isabelle Faust, violinist This is a lot more than a book about how to play the violin. It shows Reiter to be an expert guide in defining a rich cultural context for music-making - and not just violin-playing - and with the potential to shatter dull preconceptions. His practical experience, learning and articulacy combine to enrich and extend our purview of instrumental music extending over five centuries. An excellent and enlightening treasure-trove for all music-lovers. -- Sir John Eliot Gardiner This is an amazing accomplishment, covering all technical, historical and musical aspects of playing as well as how to listen and how to find our inner voice... such a generous gift to Baroque violinists and violists and one that will be hugely appreciated and celebrated! The writing is delightfully methodical and vitally informative, with a constant eye on the sources, humorous and entertaining throughout. A complete joy! -- Rachel Podger, Visiting Professor of Baroque violin, Royal Academy of Music London, Royal Welsh College of Music and Drama Cardiff, Juilliard School of Music New York Reiter's timely and immensely usable new oeuvre will certainly be an important tool for Baroque string players and their students as well as a powerful reference for modern violinists and viola players who wish to give eloquence and understanding to the glorious string repertory of the 17th and 18th centuries. -- William Christie

Author Information

Walter S. Reiter is internationally recognized as a leading Baroque violinist, leader and conductor. He has made countless recordings with both British and European Baroque orchestras as well as several highly acclaimed solo CDs. A devoted and experienced teacher of both modern and Baroque violin, he is currently Professor of Baroque Violin and Viola in the Royal Conservatoire of The Hague in the Netherlands.

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