Synagonism: Theory and Practice in Early Modern Art

Author:   Yannis Hadjinicolaou ,  Joris van Gastel ,  Markus Rath
Publisher:   Brill
ISBN:  

9789004686700


Pages:   504
Publication Date:   24 April 2024
Format:   Hardback
Availability:   In Print   Availability explained
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Synagonism: Theory and Practice in Early Modern Art


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Overview

"The present volume explores for the first time the concept of synagonism (from “σύν”, “together” and “ἀγών”, ""struggle”) for an analysis of the productive exchanges between early modern painting, sculpture, architecture, and other art forms in theory and practice. In doing so, it builds on current insights regarding the so-called paragone debate, seeing this, however, as only one, too narrow perspective on early modern artistic production. Synagonism, rather, implies a breaking up of the schematic connections between art forms and individual senses, drawing attention to the multimediality and intersensoriality of art, as well as the relationship between image and body."

Full Product Details

Author:   Yannis Hadjinicolaou ,  Joris van Gastel ,  Markus Rath
Publisher:   Brill
Imprint:   Brill
Weight:   0.001kg
ISBN:  

9789004686700


ISBN 10:   9004686703
Pages:   504
Publication Date:   24 April 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Figures Notes on Contributors Synagonism: An Introduction  Yannis Hadjinicolaou, Joris van Gastel, and Markus Rath PART 1: Theory and Practice 1 El Greco’s Synagonism  Yannis Hadjinicolaou 2 Touch and Trace: Clay in the Hands of the Baroque Sculptor  Joris van Gastel 3 Raphael’s Mond Crucifixion and the Lesson of Santa Maria Novella  Franz Engel PART 2: Collaborations 4 Normatively Conditioned Synagonism: Competition and Collaboration, Specialization and Quality Enhancement in the Context of Guild Monopolies on Painting  Danica Brenner 5 A Soul for a Bridge: On the History of Architectural Collaborations with the Devil  Jasmin Mersmann 6 The Burden of Success in Quattrocento Sculpture: Lorenzo Ghiberti, Mino da Fiesole, Donatello  Fabian Jonietz PART 3: Intermedialities 7 Sound Spaces: Visualizations of Religious Music in Caravaggio  Isabella Augart 8 Beyond the Paragone: Andrea del Sarto’s Color-Reduced Fresco Cycle in the Chiostro Dello Scalzo in Florence Considered as a Case Study of Synagonism  Helen Boeßenecker 9 Medial Diffference and Medial Synthesis in the Winged Altarpiece: The Oscillating Play of Artforms and the Range of Human Vision  Sandra Hindriks PART 4: Nature and Art 10 Hands at Work: The Stone Cutter and the Artist  Maurice Saß 11 Renaissance Architectural Culture and Geological Inquiry  Elizabeth Petcu 12 Synagonism in Stone  Markus Rath Index

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Author Information

Yannis Hadjinicolaou, PD Dr (2023), University of Hamburg, is Akademischer Rat a.Z at the Institute of Art History, University of Bonn. He has published the monograph Thinking Bodies – Shaping Hands, Handeling in Art and Theory of the Late Rembrandtists (2019) as well as five edited volumes and articles on art and art theory of the early modern period, the political iconography of falconry and the theory and history of art history. His forthcoming book is entitled The Art of Medieval Falconry (2024). Joris van Gastel, PD Dr (2022), University of Zurich, is assistant professor at the Institute of Art History in Zurich. He has published widely on early modern art, with a particular focus on Roman baroque sculpture and the art of Southern Italy, and is co-editor of the collected works of Heinrich Wölfflin. His book on materiality and identity in baroque Naples is forthcoming. Markus Rath, PhD (2016), Humboldt-University of Berlin, Assistant Professor of Art and Knowledge in the Early Modern Period at the University of Trier. He was previously a research assistant at the HU Berlin, at the German Centre for Art History in Paris and at the University of Basel. His dissertation examined movable sculpture (Die Gliederpuppe. Kult – Kunst – Konzept, Berlin/Boston 2016). Current research focuses on abstraction and expressivity in the early modern period as well as metaphorology, materiality and mediality in pre-modern art and science.

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