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A big treat of Subtitles is the 'art object' graphic design... and the book's unusual Cinemascope shape. Gerald Peary The Boston Phoenix With this lovingly edited and designed collection, filmmaker Atom Egoyan (The Sweet Hereafter, Ararat) and literature professor Ian Balfour celebrate the much-maligned middlemen of world cinema: subtitles. While definitely a high-brow gift-tome, it's an approachable one, thanks in large part to its exceptional attention to design. The book's gorgeous layout was created by Egoyan with designer Gilbert Li, and they've simply outdone themselves. It's the little things that matter: the book's wide-format layout mimics a silver screen, right down to an insanely anal use of the cinematic 1.66:1 ratio. Boldtype

With this lovingly edited and designed collection, filmmaker Atom Egoyan (The Sweet Hereafter, Ararat) and literature professor Ian Balfour celebrate the much-maligned middlemen of world cinema: subtitles. While definitely a high-brow gift-tome, it's an approachable one, thanks in large part to its exceptional attention to design. The book's gorgeous layout was created by Egoyan with designer Gilbert Li, and they've simply outdone themselves. It's the little things that matter: the book's wide-format layout mimics a silver screen, right down to an insanely anal use of the cinematic 1.66:1 ratio. -Boldtype A big treat of Subtitles is the 'art object' graphic design... and the book's unusual Cinemascope shape. -Gerald Peary, The Boston Phoenix * Reviews * With this lovingly edited and designed collection, filmmaker Atom Egoyan (The Sweet Hereafter, Ararat) and literature professor Ian Balfour celebrate the much-maligned middlemen of world cinema: subtitles. While definitely a high-brow gift-tome, it's an approachable one, thanks in large part to its exceptional attention to design. The book's gorgeous layout was created by Egoyan with designer Gilbert Li, and they've simply outdone themselves. It's the little things that matter: the book's wide-format layout mimics a silver screen, right down to an insanely anal use of the cinematic 1.66:1 ratio. -Boldtype * Reviews *

With this lovingly edited and designed collection, filmmaker Atom Egoyan (The Sweet Hereafter, Ararat) and literature professor Ian Balfour celebrate the much-maligned middlemen of world cinema: subtitles. While definitely a high-brow gift-tome, it's an approachable one, thanks in large part to its exceptional attention to design. The book's gorgeous layout was created by Egoyan with designer Gilbert Li, and they've simply outdone themselves. It's the little things that matter: the book's wide-format layout mimics a silver screen, right down to an insanely anal use of the cinematic 1.66:1 ratio. -- Boldtype A big treat of Subtitles is the 'art object' graphic design... and the book's unusual Cinemascope shape. -- Gerald Peary, The Boston Phoenix

Author Information

Atom Egoyan is an internationally acclaimed film director whose works include The Sweet Hereafter, Ararat, Exotica, and Calendar. Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry. Atom Egoyan is an internationally acclaimed film director whose works include The Sweet Hereafter, Ararat, Exotica, and Calendar. Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry. Atom Egoyan is an internationally acclaimed film director whose works include The Sweet Hereafter, Ararat, Exotica, and Calendar. Atom Egoyan is an internationally acclaimed film director whose works include The Sweet Hereafter, Ararat, Exotica, and Calendar. Slavoj Zizek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry- An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf- The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ- Paradox or Dialectic (with John Milbank), and Zizek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press. Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.

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