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OverviewThis book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history, the conversion of the present and experience into history, mechanisms of transfer, and what is located between history and the past. The representation of history is always the representation of power. The institution of legitimization and the mechanism for the production of identity, history is the past, constructed and served by the authorities who are attempting to curtail the experience by packaging it into a literary narrative and new visual imagery. Cinema s role in the legitimization of Stalinism and the production of a new Soviet identity was enormous. Both Lenin and Stalin saw in this most important of arts the most effective form of propaganda and organisation of the masses . By examining the works of the greatest Soviet filmmakers of the Stalin era Sergei Eisenstein, Vsevolod Pudovkin, Grigorii Kozintsev, Leonid Trauberg, Fridrikh Ermler, Mark Donskoi, Mikhail Romm the author explores the role of the cinema in the formation of the Soviet political imagination. Full Product DetailsAuthor: Evgeny Dobrenko (University of Sheffield)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781281357663ISBN 10: 1281357669 Pages: 263 Publication Date: 01 January 2008 Audience: General/trade , General Format: Electronic book text Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |