Space, Images, and Art Perception in Napoleonic Paris: Setting the Gaze

Author:   Camilla Murgia
Publisher:   Taylor & Francis Ltd
ISBN:  

9781041186458


Pages:   280
Publication Date:   10 June 2026
Format:   Paperback
Availability:   Not yet available   Availability explained
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Space, Images, and Art Perception in Napoleonic Paris: Setting the Gaze


Overview

This book examines the impact of space on the perception of art and visual culture in early nineteenth-century Paris. It turns its attention to the way in which space determines the understanding and the development of visual culture. The abundance of images, their status, and their employment alike offer a means to grasp the extent of the development of an approach to art which further involved the spectator. Space is here conceived as a multifaceted entity, spanning architectural, scholarly, artistic, and visual dimensions. These various aspects offer means to consider the way in which images work and are consumed, and the individual experience they represent. Space works as a link and a connecting tool between different intellectual and visual categories, and this study examines how this interaction applies to works of art as well as everyday objects.

Full Product Details

Author:   Camilla Murgia
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.520kg
ISBN:  

9781041186458


ISBN 10:   1041186452
Pages:   280
Publication Date:   10 June 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Author Information

Camilla Murgia is Assistant Professor in History of Art at the Adam Mickiewicz University in Poznan. Previously, she was Junior Lecturer and Substitute Senior Lecturer in History of Art at the University of Lausanne, where she researched space, theatre, and staging in nineteenth-century France.

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