Robert Wilson

Author:   Maria Shevtsova
Publisher:   Taylor & Francis Ltd
Edition:   2nd edition
ISBN:  

9781138599406


Pages:   198
Publication Date:   30 October 2018
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Robert Wilson


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Full Product Details

Author:   Maria Shevtsova
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Weight:   0.453kg
ISBN:  

9781138599406


ISBN 10:   1138599409
Pages:   198
Publication Date:   30 October 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

CONTENTS List of figures Acknowledgements A WORKING LIFE Becoming Robert Wilson Dance plays, silent operas and words Art and politics: the 1960s and after Wilson after Einstein METHOD, ELEMENTS AND PRINCIPLES A workshop method Elements and principles EINSTEIN ON THE BEACH Itinerary and reception Einstein on the Beach: a landmark Structure and form Breakdown of the work Summing up 4. POST SCRIPTUM OF 2017: PUSHKIN’S FAIRY TALES Style and 'camp' Display and cultural evocation 5. PRACTICAL EXERCISES Movement Body imaging Make-up Composing a silent play Sound and music Working with texts Light A short glossary of terms Bibliography Index

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Author Information

Maria Shevtsova is Professor of Drama and Theatre Arts at Goldsmiths, University of London. Her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (2005), Sociology of Theatre and Performance (2009), Directors/Directing: Conversations on Theatre (co-authored, 2009) and The Cambridge Introduction to Theatre Directing (co-authored, 2013). All her books have been translated into multiple languages, and she is co-editor of New Theatre Quarterly.

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