Refocus: The Films of Wallace Fox

Author:   Gary D Rhodes ,  Joanna Hearne
Publisher:   Edinburgh University Press
ISBN:  

9781399505642


Pages:   280
Publication Date:   31 May 2024
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Refocus: The Films of Wallace Fox


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Author:   Gary D Rhodes ,  Joanna Hearne
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.395kg
ISBN:  

9781399505642


ISBN 10:   1399505645
Pages:   280
Publication Date:   31 May 2024
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Wallace Fox, a forgotten B-movie director who was one of the first Indigenous filmmakers to establish a career in American cinema, receives the Refocus treatment! Gary D. Rhodes and Joanna Hearne bring together eleven brilliant chapters that do much more than fill in a gap in film history; they expand and often rewrite it!--Yannis Tzioumakis, University of Liverpool


Author Information

Gary D. Rhodes is Professor of Media, Oklahoma Baptist University. He is the author of Emerald Illusions: The Irish in Early American Cinema (2012), The Perils of Moviegoing in America (2012), and The Birth of the American Horror Film (2018). He is a founding editor of Horror Studies: An Interdisciplinary Journal. Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004). Joanna Hearne is the Jeanne Hoffman Smith Professor in the Film and Media Studies department at the University of Oklahoma. Her books on Indigenous images and image-making in American film history include Native Recognition: Indigenous Cinema and the Western (2012) and Smoke Signals: Native Cinema Rising (2012).

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