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OverviewFull Product DetailsAuthor: Janet NeighPublisher: University of Toronto Press Imprint: University of Toronto Press Dimensions: Width: 16.10cm , Height: 2.10cm , Length: 23.50cm Weight: 0.560kg ISBN: 9781487501839ISBN 10: 1487501838 Pages: 277 Publication Date: 12 December 2017 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of Contents"Acknowledgments Introduction Chapter 1 E. Pauline Johnson (Tekahionwake) and Her ""Dear Dead Longfellow"" Chapter 2 Langston Hughes’s Rhythmic Literacy Chapter 3 Miss Lou Pedagogy and Mimic Women Chapter 4 Recitation Legacies in Dub and Indigenous Poetics Notes Permissions Works Cited"Reviews"""In this illuminating and provocative study of performance poetry of the Americas, Janet Neigh makes a compelling case for a revisionary understanding of the genre as operating not only in the interstices of speech and writing but also in between cultures and nations."" --Sarah Phillips Casteel, associate professor, Department of English Language and Literature, Carleton University ""Neigh's Recalling Recitation in the Americas takes a fresh and valuable approach to the intersection of orality and literacy, live performance, and the forces of transnational, or, as Neigh prefers, hemispheric, cultural interactions in the verbal arts."" --Susan Gingell, professor emerita, Department of English, University of Saskatchewan" In this illuminating and provocative study of performance poetry of the Americas, Janet Neigh makes a compelling case for a revisionary understanding of the genre as operating not only in the interstices of speech and writing but also in between cultures and nations. - Sarah Phillips Casteel, associate professor, Department of English Language and Literature, Carleton University Neigh's Recalling Recitation in the Americas takes a fresh and valuable approach to the intersection of orality and literacy, live performance, and the forces of transnational, or, as Neigh prefers, hemispheric, cultural interactions in the verbal arts. - Susan Gingell, professor emerita, Department of English, University of Saskatchewan """In this illuminating and provocative study of performance poetry of the Americas, Janet Neigh makes a compelling case for a revisionary understanding of the genre as operating not only in the interstices of speech and writing but also in between cultures and nations.""--Sarah Phillips Casteel, associate professor, Department of English Language and Literature, Carleton University ""Neigh's Recalling Recitation in the Americas takes a fresh and valuable approach to the intersection of orality and literacy, live performance, and the forces of transnational, or, as Neigh prefers, hemispheric, cultural interactions in the verbal arts.""--Susan Gingell, professor emerita, Department of English, University of Saskatchewan" ""In this illuminating and provocative study of performance poetry of the Americas, Janet Neigh makes a compelling case for a revisionary understanding of the genre as operating not only in the interstices of speech and writing but also in between cultures and nations."" --Sarah Phillips Casteel, associate professor, Department of English Language and Literature, Carleton University ""Neigh's Recalling Recitation in the Americas takes a fresh and valuable approach to the intersection of orality and literacy, live performance, and the forces of transnational, or, as Neigh prefers, hemispheric, cultural interactions in the verbal arts."" --Susan Gingell, professor emerita, Department of English, University of Saskatchewan Author InformationJanet Neigh is an associate professor of English at Penn State Erie, The Behrend College. Tab Content 6Author Website:Countries AvailableAll regions |