Postgraduate Research in Music: A Step-by-Step Guide to Writing a Thesis

Author:   Victoria Rogers (Adjunct Associate Professor, Adjunct Associate Professor, Western Australian Academy of Performing Arts, Edith Cowan University)
Publisher:   Oxford University Press Inc
ISBN:  

9780197616031


Pages:   286
Publication Date:   02 July 2024
Format:   Hardback
Availability:   To order   Availability explained


Our Price $142.95 Quantity:  
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Postgraduate Research in Music: A Step-by-Step Guide to Writing a Thesis


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Author:   Victoria Rogers (Adjunct Associate Professor, Adjunct Associate Professor, Western Australian Academy of Performing Arts, Edith Cowan University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Weight:   0.003kg
ISBN:  

9780197616031


ISBN 10:   0197616038
Pages:   286
Publication Date:   02 July 2024
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   To order   Availability explained

Table of Contents

Preface Introduction Chapter 1: Finding a Topic Chapter 2: Searching for Sources Part 1: Key Resources and Resource Portals Chapter 3: Searching for Sources Part 2: Strategies for Locating Information Chapter 4: Writing a Literature Review Chapter 5: Writing a Research Proposal Chapter 6: Writing a Thesis Part 2: Content and Organization Chapter 7: Writing a Thesis Part 2: Style in Academic Writing Chapter 8: Writing a Thesis Part 3: The Musical Lexicon Chapter 9: Writing a Thesis Part 4: Efficiency and Effectiveness Chapter 10: Beyond the Thesis Appendix A: Referencing in the Chicago Notes and Bibliography style Appendix B: Referencing in the APA style Appendix C: Guidelines for Musical Examples Appendix D: Guidelines for Tables Appendix E: Guidelines for Figures Appendix F: Guidelines for Punctuation

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Author Information

Victoria Rogers is an Adjunct Associate Professor in the Western Australian Academy of Performing Arts at Edith Cowan University. She previously served as Associate Professor of Musicology at the University of Western Australia, where she taught analytical and historical musicology, directed the honours programme, and supervised postgraduate research students. Her research has been largely in the area of Australian music, most notably her work on the music of the composer Peggy Glanville-Hicks, and on the pianist Eileen Joyce; she has also undertaken research on the ethnomusicologist John Blacking.

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