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Author:   José Moure ,  Dominique Chateau
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.680kg
ISBN:  

9781041184546

ISBN 10:   1041184549
Pages:   366
Publication Date:   10 December 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Editorial, Acknowledgments, 1. Introduction - Dominique Chateau & José Moure., Part I - A tribute to Agnès Varda, 2. The Incipit of BEACHES OF AGNÊS (LES PLAGES D'AGNÊS): An Installation in the Form of a Self-portrait - José Moure, II. The End of Cinema ?, 3. Announcing the End of the Film Era.. The Lumière Galaxy: Seven Key Words for the Cinema to Come (Columbia University Press, 2015) by Francesco Casetti - Dudley Andrew, 4. Cinema Hangs Tough - André Gaudreault & Philippe Marion, 5. Jean-Luc Godard's Histoire(s) du cinéma or Cinema Surpasses Itself - Céline Scemama, III. Technological Transformations, 6. Mutation, appropriation and style - Victor Burgin, 7. The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice Is Transition - a Dialogue - Giovanna Fossati & Annie van den Oever, 8. In-flight Entertainment or the Emptying Process of Art in the Air - Christophe Génin, IV. New dispositif, new conditions, 9. What Kind of Art is the Cinema of Interactions? - François Jost, 10. Thinking Inside and Outside of the (Black) Box. BIRD BOX and Netflix' algorithmic operations - Malte Hagener, 11. Post-Cinema Ecology - Francesco Cassetti & Andrea Pinotti, V. Transformations in film form, 12. Space-Image: for an Environmental Reading of Artists' Moving Image Experience - Miriam de Rosa, 13. EXTRAORDINARY STORIES, a Mariano Llinás' Postmodern Art Film - A. Gabriela Rivadaneira, 14. Art, Otherwise Than Art. Cinema and Contemporary Art : a Mutual Challenge - Dominique Chateau, 15. The Zidane Film - Richard Conte, V. Post-cinema, an artists' affair, 16. Marcel Broodthaers: Post-cinema Before Itself? - Christophe Viart, 17. Per aspera ad astra, or Through Post-cinema Towards Cinema, the Reverse Journey of Ilya Khrzhanovsky's DAU - Eugénie Zvonkine, 18. CINÉMATON: the Shortest Films for the Longest Film - A Dialogue - Gérard Courant, Dominique Chateau & José Moure, 19. Documentary as Contemporary Art - A Dialogue - Wang Bing, Dominique Chateau & José Moure, Index

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Author Information

José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE. Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.

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