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'Robert Icke has an uncanny ability to get to the psychological heart of a classic text. [This is] a terrific take on one of the greatest plays ever written' * Time Out * 'A national epic of power-play, racing from tavern to court and field of conflict. It's as propulsive as The Crown... heart-stopping... a must-witness' * Telegraph * 'Robert Icke, the neon-intellect, rapid-action director, has spliced together the two separate plays of Henry IV to make an epic portrait... striking and unsentimental... devastating' * Observer * 'Unforgettable... brings out the subtleties and violence of Shakespeare's plays' * Financial Times * 'An incisive and intelligent adaptation... This rich, vivid and visceral version of Shakespeare's Henry IV is at once a skewering of the mythology of Englishness and patriotism, a shrewd overview of the current state of the nation and a piece of premium classical theatre... all conveyed with pin-sharp clarity and an arresting immediacy... Icke delineates the oppositions that Shakespeare set up without labouring the point or simplifying the characters’ complex humanity' * The Stage * 'Richly complex and thrilling' * Guardian * 'A luxurious feast... full of verve and pathos... Icke is known for his thrilling reinventions or rewrites of classics. Here he neatly streamlines the patriarchal power struggles of part I, by turns raucous and violent, then prunes the waffling jokes and rueful diminuendo of part II... He makes clear how these plays speak to our times' * Evening Standard * 'Icke brings his usual immediacy and accessibility to Shakespeare's story' * Independent * 'Inventive and entertaining... It showcases Falstaff's relationship with Prince Hal but leaves intact the frame of the play' * Arts Desk * 'Marvellous... connects comedy to drama with absolute precision... dramatic intensity topped off with a wonderful coup de théâtre... power and poignancy' * Reviews Hub * 'Assured... Icke introduces some masterful interventions – one towards the end of act one bringing forth audible gasps from the audience' * WhatsOnStage * 'Captivating... a great Shakespeare adaptation with plenty of modern twists' * Theatre Weekly * 'Extraordinary... Robert Icke has taken Shakespeare's two Henry IV plays and fused them into an epic thriller... like bingeing a moreish Netflix drama... a lucid telling of a knotty story... Long may Icke reign' * London Theatre * 'Iconoclastic... a streamlined but full-bodied adaptation... Four hundred years old, Shakespeare's history plays conjure spine tingling new force for the 21st century' * Broadway World *

'Robert Icke has an uncanny ability to get to the psychological heart of a classic text. [This is] a terrific take on one of the greatest plays ever written' * Time Out * 'A national epic of power-play, racing from tavern to court and field of conflict. It's as propulsive as The Crown... heart-stopping... a must-witness' * Telegraph * 'Robert Icke, the neon-intellect, rapid-action director, has spliced together the two separate plays of Henry IV to make an epic portrait... striking and unsentimental... devastating' * Observer * 'Unforgettable... brings out the subtleties and violence of Shakespeare's plays' * Financial Times * 'An incisive and intelligent adaptation... This rich, vivid and visceral version of Shakespeare's Henry IV is at once a skewering of the mythology of Englishness and patriotism, a shrewd overview of the current state of the nation and a piece of premium classical theatre... all conveyed with pin-sharp clarity and an arresting immediacy... Icke delineates the oppositions that Shakespeare set up without labouring the point or simplifying the characters’ complex humanity' * The Stage * 'Richly complex and thrilling' * Guardian * 'A luxurious feast... full of verve and pathos... Icke is known for his thrilling reinventions or rewrites of classics. Here he neatly streamlines the patriarchal power struggles of part I, by turns raucous and violent, then prunes the waffling jokes and rueful diminuendo of part II... He makes clear how these plays speak to our times' * Evening Standard * 'Icke brings his usual immediacy and accessibility to Shakespeare's story' * Independent * 'Inventive and entertaining... It showcases Falstaff's relationship with Prince Hal but leaves intact the frame of the play' * Arts Desk * 'Marvellous... connects comedy to drama with absolute precision... dramatic intensity topped off with a wonderful coup de théâtre... power and poignancy' * Reviews Hub * 'Assured... Icke introduces some masterful interventions – one towards the end of act one bringing forth audible gasps from the audience' * WhatsOnStage * 'Captivating... a great Shakespeare adaptation with plenty of modern twists' * Theatre Weekly * 'Extraordinary... Robert Icke has taken Shakespeare's two Henry IV plays and fused them into an epic thriller... like bingeing a moreish Netflix drama... a lucid telling of a knotty story... Long may Icke reign' * London Theatre * 'Iconoclastic... a streamlined but full-bodied adaptation... Four hundred years old, Shakespeare's history plays conjure spine tingling new force for the 21st century' * Broadway World * 'Robert Icke has done it again... he shows once more his talent for creating bold adaptations that are masterfully larger than life in their intensity and drama... Player Kings is an epic that lasts well over three hours and still has the audience gripped and wanting more' * The Upcoming * 'Magnificent... an intelligent, fast-paced modern take... wonderful' * TheatreCat *

Author Information

William Shakespeare (1564–1616) was an English poet and playwright of some renown. Robert Icke is a writer and director. His recent productions include Judas, Children of Nora and Oedipus at Internationaal Theater Amsterdam; Player Kings (West End and UK tour); Enemy of the People (Park Avenue Armory); Animal Farm (UK tour); Ivanov (Schauspiel Stuttgart); and The Doctor (Park Avenue Armory, Adelaide Festival, Almeida, West End and Burgtheater, Vienna). His work while Associate Director at the Almeida (2013-19) included adapting and directing The Wild Duck, Mary Stuart (also West End and UK tour), Uncle Vanya, Oresteia (also West End and Park Avenue Armory) and 1984 (co-created with Duncan Macmillan, also Broadway, West End, UK and international tours). As a director, his productions included Hamlet (also West End, BBC2 and Park Avenue Armory), The Fever and Mr Burns.  His awards include two Evening Standard Awards for Best Director, the Critics' Circle Award, the Kurt Hübner Award for his debut production in Germany, and the Olivier Award for Best Director for Oresteia, of which he is the youngest-ever winner. He is a Fellow of the Royal Society of Literature.

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