Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age

Author:   Megan Steigerwald Ille
Publisher:   The University of Michigan Press
ISBN:  

9780472076642


Pages:   296
Publication Date:   30 April 2024
Format:   Hardback
Availability:   In Print   Availability explained
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Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age


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Author:   Megan Steigerwald Ille
Publisher:   The University of Michigan Press
Imprint:   The University of Michigan Press
ISBN:  

9780472076642


ISBN 10:   0472076647
Pages:   296
Publication Date:   30 April 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

“Opera for Everyone is a substantive, enlightening, and important work of scholarship that lays the groundwork for further research in the lively field of opera studies. In her examination of The Industry, Steigerwald Ille draws on a multiplicity of voices—a strategy that complements the multivalent complexity of opera—and her sincere, thoughtful engagement with the ethics of contemporary opera production offers an excellent model for the study of performing arts in the twenty-first century.” —Ryan Ebright, Bowling Green State University “Compared to how abundantly pieces of contemporary musical theatre and opera are present on all kinds of scenes, the literature about this field is still meager. Opera For Everyone is extremely welcome as it illuminates the world and poetics of contemporary opera and it turns this interest into a dynamic book.” —Jelena Novak, CESEM (Center for Study of the Sociology and Aesthetics of Music), FCSH, Universidade NOVA de Lisboa


“Opera for Everyone is a substantive, enlightening, and important work of scholarship that lays the groundwork for further research in the lively field of opera studies. In her examination of The Industry, Steigerwald Ille draws on a multiplicity of voices—a strategy that complements the multivalent complexity of opera—and her sincere, thoughtful engagement with the ethics of contemporary opera production offers an excellent model for the study of performing arts in the twenty-first century.” —Ryan Ebright, Bowling Green State University “Compared to how abundantly pieces of contemporary musical theatre and opera are present on all kinds of scenes, the literature about this field is still meager. Opera For Everyone is extremely welcome as it illuminates the world and poetics of contemporary opera and it turns this interest into a dynamic book.” —Jelena Novak, CESEM (Center for Study of the Sociology and Aesthetics of Music), FCSH, Universidade NOVA de Lisboa


Author Information

Megan Steigerwald Ille is Assistant Professor of Musicology at the College-Conservatory of Music at the University of Cincinnati.

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