One Shot Hitchcock: A Contemporary Approach to the Screen

Author:   Luke Robinson (Casual Academic, Casual Academic, University of New South Wales, Sydney) ,  Melanie Robson (Adjunct Lecturer, Adjunct Lecturer, University of New South Wales, Sydney)
Publisher:   Oxford University Press Inc
ISBN:  

9780197682876


Pages:   312
Publication Date:   07 May 2024
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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One Shot Hitchcock: A Contemporary Approach to the Screen


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Author:   Luke Robinson (Casual Academic, Casual Academic, University of New South Wales, Sydney) ,  Melanie Robson (Adjunct Lecturer, Adjunct Lecturer, University of New South Wales, Sydney)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
ISBN:  

9780197682876


ISBN 10:   0197682871
Pages:   312
Publication Date:   07 May 2024
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

1. One Shot: Hitchcock's Crime Scenes Luke Robinson and Melanie Robson 2. The Lodger (1927): Contaminating British silent cinema Sebastian Smoli'nski 3. The Manxman (1929): Written on the water: Hitchcock's dissolving ink Tom Gunning 4. Sabotage (1936): A thriller and its aftereffects Helen Hughes 5. Rebecca (1940): The impure object of vision Bruce Isaacs 6. Shadow of a Doubt (1943): Performing a murder(er) Melanie Robson 7. Aventure Malgache (1944): French colonial tensions Charles Barr 8. Rope (1948): Chromatic design and neon light Sarah Street 9. Rear Window (1954): Intermedialities of peeping in the plural Martin P. Rossouw 10. To Catch a Thief (1955): Stanley Cavell and the end of a conventional myth Susana Viegas 11. The Man Who Knew Too Much (1956): Hitchcock remakes himself in Hollywood Megan Carrigy 12. The Wrong Man (1956): Towards singularity Noa Steimatsky 13. Vertigo (1958): Labor in a single shot Domietta Torlasco 14. The Birds (1963): Trauma and the right of reply Julian Murphet 15. Marnie (1964): Restroom Jodi Brooks 16. Frenzy (1972): Pulling focus between a woman's face and a face of death Luke Robinson Index

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Author Information

Luke Robinson is Casual Academic at the School of the Arts and Media, University of New South Wales Sydney and University of Technology Sydney. Melanie Robson is Adjunct Lecturer at the School of the Arts and Media, University of New South Wales Sydney

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