Overview

How visual fantasies of violence, animality, and political agency offered an alternative image of masculinity during the Enlightenment Centering on animal bodies and assertive masculinity, the visual strategies of hunting art may appear incongruent with our understanding of Rococo aesthetics and the early Enlightenment. But these themes, embraced with enthusiasm by artists and patrons, inspired artworks in every genre and medium in eighteenth-century France. As the country expanded its colonial empire, the absolute monarchy existed in tension with ambitious elites, and the Enlightenment eroded old certainties about selfhood and society, hunting art provided a visual language of personal and national sovereignty written with bodies of men and animals. Amy Freund revises our received notions of eighteenth-century French art and culture, confronting us with a visual culture of animality, violence, and death: a Rococo of dogs and guns. Noble Beasts highlights the work of François Desportes, Jean-Baptiste Oudry, and others who, operating from the heart of institutions such as the Royal Academy and the Gobelins manufactory, produced an astonishing volume of highly accomplished work. The book draws on the critical frameworks of human-animal studies and on Enlightenment philosophical debates to explore how and why hunting art's aesthetic and political claims blurred the lines between human and animal.

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9780300282702

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Reviews

“Noble Beasts is an original and compelling work that brings an essential, convincing perspective on eighteenth-century French art.”—Susanna Caviglia, author of History, Painting, and the Seriousness of Pleasure in the Age of Louis XV “Amy Freund’s insightful and witty book follows the scent of human-animal relations and court politics in the ancien régime through fresh analysis of hunts, hunters, their dogs, and their guns in French art and visual culture.”—Mark Ledbury, University of Sydney

""Noble Beasts is an original and compelling work that brings an essential, convincing perspective on eighteenth-century French art.""--Susanna Caviglia, author of History, Painting, and the Seriousness of Pleasure in the Age of Louis XV ""Amy Freund's insightful and witty book follows the scent of human-animal relations and court politics in the ancien régime through fresh analysis of hunts, hunters, their dogs, and their guns in French art and visual culture.""--Mark Ledbury, University of Sydney

Author Information

Amy Freund is associate professor and Kleinheinz Family Endowment for the Arts and Education Endowed Chair in Art History at Southern Methodist University.

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