Overview

Full Product Details

Author:   Mine Doğantan-Dack
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781032403748

ISBN 10:   1032403748
Pages:   280
Publication Date:   30 June 2026
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available  
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Introduction, 1 Affective Lightscapes: A Pianist's Perspective on Musical Form as Lived Experience in Performance, 2 Music Performance Anxiety: An Autistic Perspective, 3 ""Dangerously Vibrant Matter"": Queering Musical Persona(e) in Instrumental Music Performance, 4 What Is It Like to Be a Disabled Pianist?, 5 Of Beasts, Lovers, and Meringue Puddings: Living with Bach at the Organ, 6 ""As If for the First Time, Every Time"": Towards a Generative Theory of Musical Expression, 7 ""Sounding like Myself"": An Interdisciplinary Dialogue on Freedom in Western Classical Music Performance, 8 ""Point of No Return"": Agency, Tempo and Leadership in the Performance of Joseph Joachim's Hungarian Fantasy, 9 Engaging with the Audience as Myself: A Cellist's Experience with Classical Improvisation, 10 Performing in The Theatre of Home: Autoethnographic Perspectives on Performer Identities, 11 Schubert on a Slackline: From Listening to Performing, 12 Experiencing Performance: The Vicarious Performer-Listener

Reviews

Author Information

Mine Doğantan-Dack is a musicologist and concert pianist. Her edited books include Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). She is the founder of the Marmara Piano Trio as well as the founder and artistic director of London-based chamber orchestras Ensemble Luce and Ensemble Vita Nova. She teaches music performance studies at the Faculty of Music, University of Cambridge.

Tab Content 6

Author Website:  

Countries Available

All regions