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OverviewBefore the Second World War, an art school stood in a pair of mews houses off Kensington High Street in London. Although the school was small and short-lived, it would be linked to an extraordinary range of talent. Leonora Carrington was one of its students; Henry Moore taught there; Francis Bacon and Eduardo Paolozzi both cited its creator as the reason they had become artists. The school bore his name: the Amédée Ozenfant Academy of Fine Arts. Ozenfant and his school are largely forgotten, yet in the 1920s the man who, with Le Corbusier, invented the style they called Purism, was as well known as Picasso. His academy was a solitary outpost of the Parisian avant-garde in London; Ozenfant was, said France's education minister, ""the man who represented French art in Britain"". As war drew nearer, this lent him an importance that was not just cultural but political. Charles Darwent's book quietly redraws the history of Anglo-French relations in the late 1930s. Distributed for Art Publishing Inc. Full Product DetailsAuthor: Charles DarwentPublisher: Art Publishing Inc. Imprint: Art Publishing Inc. ISBN: 9781739469412ISBN 10: 1739469410 Pages: 236 Publication Date: 10 June 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationCharles Darwent is an art critic and author. He contributes regularly to The Guardian, The Art Newspaper and Art Review, and was the chief art critic for the Independent on Sunday from 1999–2013. He appeared on the Netflix series Raiders of the Lost Art from 2014–2016. He is the author of Surrealists in New York (2023), Josef Albers: Life and Work (2018), and Mondrian in London: How British Art Nearly Became Modern (2012). Tab Content 6Author Website:Countries AvailableAll regions |