|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Jesook Song , Michelle ChoPublisher: The University of Michigan Press Imprint: The University of Michigan Press Weight: 0.272kg ISBN: 9780472056668ISBN 10: 0472056662 Pages: 328 Publication Date: 30 April 2024 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsContents Acknowledgments Introduction: Mediating Gender in Post-Authoritarian South Korea Michelle Cho and Jesook Song Section I: Historicization of Media: Gender as Platforms and Polemics Jesook Song 1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond Hee-jeong Sohn 2: Intermedial Feminism: Megalia and Kangnam Station Exit 10 HyeYoung Cho, translated by Aliju Kim 3: The Birth of “Korean Manhwa and the Discourse of Gendered Realism Since the 1990s Dahye Kim 4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers Miseong Woo Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims Jesook Song 5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin’s Receipts Bohyeong Kim 6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian Eunjung Kim 7: Gendered Mediation in Yun Sangho’s Saimdang: Memoir of Colors Youngmin Choe 8: “I Can Speak Because I Am a Mother”: The Trope of Motherhood in Mothers’ Political Activism Relating to the Sewol Ferry Disaster Jinsook Kim Section III: Pop Remediation: Beyond Binary Gender Forms Jesook Song 9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series Hyun Gyung Kim 10: The Emergence of “Daughter-Fools”: The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis Yoon Heo 11: Discontent with Gender and Sexuality in Painter of the Wind Sunyoung Yang 12: BL-ing Bromance, Bromancing Ŭiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema Moonim BaekReviews"""This book brings together cutting-edge research on feminism and misogyny in South Korea to give English language readers insight into one of the most vibrant and contested political reckonings playing out in the world today. This volume is a must-read for both academics and dedicated fans who wish to dive deeper into the context and meaning of cherished South Korean cultural products. A brilliant volume.""--Ruth Barraclough, Australian National University ""Mediating Gender introduces a range of examples of media in South Korea to the international scholarly community. It joins a growing body of literature that both engages with and challenges Anglophone-centered scholarship, potentially shifting the center. In doing so, the book makes a crucial contribution to global feminist scholarship by exemplifying the fluid and dynamic intersectionality of the local and the global, of the dominant and the marginal, and of the center and the periphery.""--Hyaeweol Choi, University of Iowa" Author InformationMichelle Cho is Assistant Professor of East Asian Studies at the University of Toronto in Canada. Jesook Song is Professor of Anthropology, affiliated with Women and Gender Studies, Sexuality Diversity Studies, and Korean Studies at the University of Toronto in Canada. Tab Content 6Author Website:Countries AvailableAll regions |