Overview

"Today's war is for the survival of the planet. In Maintenant 14: A Journal of Contemporary Dada Writing and Art, the weapon of choice is Dada. Today, everyone in the world is affected by the growing impact of climate change, pollution, plastics, and lack of sustainability. The 2020 edition of the premiere journal of contemporary dada writing and art confronts the situation with a bold and rebellious collection of work that shows the absurdity of continuing the practices that have taken earth to the precipice of extinction. Using the theme ""UN-SUSTAIN-A-BULL-SH*T"" Maintenant 14 creators turn poetry and art into weapons that expose, confront, and lambast policies that have taken the planet to tipping points in the climate system, biodiversity loss, and the risk of social and ecological collapse. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, Maintenant 14 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by neo-pop artist/provocateur Walter Robinson. Past issues include art by Mark Kostabi, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, Charles Mingus III, and Kazunori Murakami; writing by Gerard Malanga, Charles Plymell, Andrei Codrescu, Anne Waldman, and more, with a strong contingent of artist-writers from the world of punk rock."

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9781941110911

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Reviews

"""A compilation of leading Dada-influenced artists from around the world. --TRIBE LA Magazine ""Excellent examples of collage and montage techniques . . . Interesting visual poems."" --Portland Book Review Contemporary art and writing ranging from collages and acrylics to new digital art motifs and using computers to create art . . . As always it brings an interesting perspective."" --Manhattan Book Review ""Though people expect Dada to be silly, and sometimes it is here, it is also often political and usually poignant. . . It's quite a smorgasbord for those who are sick and tired of it."" --Seattle Book Review"

A compilation of leading Dada-influenced artists from around the world. --TRIBE LA Magazine Excellent examples of collage and montage techniques . . . Interesting visual poems. --Portland Book Review Contemporary art and writing ranging from collages and acrylics to new digital art motifs and using computers to create art . . . As always it brings an interesting perspective. --Manhattan Book Review Though people expect Dada to be silly, and sometimes it is here, it is also often political and usually poignant. . . It's quite a smorgasbord for those who are sick and tired of it. --Seattle Book Review

Author Information

PETER CARLAFTES is a New York City-based author, editor, publisher, and performer. He has written and staged twelve plays, and is the author of five books: A Year on Facebook (humor); Drunkyard Dog and I Fold With the Hand I Was Dealt (poetry); and Triumph for Rent (3 plays) and Teatrophy (3 More Plays). He is co-founder and acquisitions editor of Three Rooms Press (New York), for whom he has edited multiple anthologies including the Have a NYC: New York Short Stories series, the annual Maintenant Dada Art and Writing Journal and Mike Watt: On and Off Bass, a collection of photos and distilled tour diaries from the great punk rock bass player. As publisher, he has worked closely with the editors of several recent mystery/noir anthologies including Dark City Lights (edited by Lawrence Block), Crime Plus Music (edited by Jim Fusilli), Florida Happens (the 2018 Bouchercon anthology edited by Greg Herren), and The Obama Inheritance: 15 Stories of Conspiracy Noir (edited by Gary Phillips), among many other titles. The latter won the 2018 Anthony Award for Best Anthology. KAT GEORGES is a New York City-based poet, playwright, performer, publisher, and graphic designer. She has written and staged twelve plays, and is the author of two books: Our Lady of the Hunger and Three Somebodies: Plays about Notorious Dissidents. Her poetry and prose work has appeared in The San Francisco Chronicle, The Outlaw Bible of American Poetry, Have A NYC: New York Stories, Signs of Life: San Francisco Short Stories, and numerous regional and international journals and magazines. She published and edited the Orange County, California punk rock magazine The Eye and the San Francisco poetry journal The Fold, and has edited numerous anthologies including The Verdict Is In, a poetic response to the 1992 Los Angeles riots (Manic D Press, San Francisco, 1993), Along the Fault (Resident Alien Press, Los Angeles, 1990) and A Gathering of the Tribes, Issue 13 (A Gathering of the Tribes, New York, 2012). In New York since 2003, she has directed numerous Off-Broadway plays, produced more than 300 events, and performed widely. She is co-founder, editor, and artistic director of Three Rooms Press (New York). She lives in Greenwich Village, New York.

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