Handel’s Messiah: The Creative Process

Author:   Amanda Babington
Publisher:   Jenny Stanford Publishing
ISBN:  

9789815129045


Pages:   306
Publication Date:   07 June 2024
Format:   Hardback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Handel’s Messiah: The Creative Process


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Full Product Details

Author:   Amanda Babington
Publisher:   Jenny Stanford Publishing
Imprint:   Jenny Stanford Publishing
Weight:   0.780kg
ISBN:  

9789815129045


ISBN 10:   981512904
Pages:   306
Publication Date:   07 June 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

1. The Libretto 2. Sketches 3. Pre-existent Material 4. The Autograph: Method and Construction 5. Autograph Alterations 6. Later Revisions 7. General Conclusion Appendix A: Libretto Sources Appendix A: Sketches pertaining to Messiah Appendix C/1: For unto us/Nò, di voi non vo’ fidarmi Appendix C/2: All we, like sheep/Sò per prova Appendix C/3: His yoke is easy/Quel fior che all’alba ride Appendix C/4: And He shall purify/L’occaso ha nell’aurora Appendix D: Rejoice Appendix E: Alternative Movement Settings Bibliography

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Author Information

Amanda Babington is a lecturer at the Royal Northern College of Music, Manchester, England, and executive officer for the Royal Musical Association. She has published several articles on Handel, and her edition for the Hallische Händel-Ausgabe of Handel’s Dettingen Te Deum and Dettingen Anthem was published by Bärenreiter in 2016. She is regularly invited to give talks at Göttingen International Handel Festival. Dr. Babington is also a musette player, baroque violinist, and recorder player, specialising in historically informed performance. As the artistic director of Baroque In The North, she has played and recorded with many of the leading British and European period-instrument ensembles. Her debut musette album, Music for French Kings, was well-received on its release in 2022, and featured on BBC Radio 3’s Early Music Show. She is also director of the University of Manchester Baroque Orchestra and has given masterclasses at various universities and conservatoires in the United Kingdom, and at the Jāzeps Vītols Latvian Academy of Music in Riga, Latvia.

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