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OverviewGretchen Albrecht CNZM is one of New Zealand's most influential painters. Over the course of her long career, her work has continued to surprise and delight, and her paintings feature in many important collections both in New Zealand and overseas. This comprehensive survey of her much-admired work reveals a painter steeped in art history, drawing freely from a range of sources to create vivid, intellectually persuasive and deeply affecting work, and determined to push her work in new directions. This revised edition includes her practice since 2019 and also interrogates her Illuminations work of the 1970s, which she revisited and re-presented in 2022. With a detailed and rich text by leading art writer Luke Smythe, plus a preface by art curator Mary Kisler, this magnificent book both interrogates Albrecht's work and celebrates her accomplishments. Full Product DetailsAuthor: Luke SmythePublisher: Massey University Press Imprint: Massey University Press Edition: Revised edition Dimensions: Width: 29.50cm , Height: 4.50cm , Length: 24.00cm Weight: 2.320kg ISBN: 9781991016669ISBN 10: 1991016662 Pages: 320 Publication Date: 09 November 2023 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contentsforeword 6 introduction 8 models of expression 1963 - 1970 13 a threaded communion of sea, earth and sky 1971 - 1978 41 shaping significance 1980 - 1984 99 (re)constructing nature 1985 - 1989 135 nocturnes and nomadic geometries 1990 - 1994 165 weighing gains and losses 1995 - 2000 199 resonance, refinement and retrospection 2001 - 2008 227 roses and radiant rectangles 2009 - 2018 253 chronology 284 notes 292 select bibliography 296 acknowledgements 298 index 300ReviewsAuthor InformationDr Luke Smythe is a lecturer in art history, art theory and curatorship in the Faculty of Art, Design and Architecture at Monash University, Melbourne, Australia. He has previously taught art history at the University of Otago and the Wesleyan University. From 2013-2014, he worked as a Curatorial Fellow in Postwar Art at the Pinakothek der Moderne in Munich. His articles and essays have appeared in many journals and catalogues, including October, Modernism/ modernity, Art Journal (US), and Oxford Art Journal. He has worked on exhibitions at a number of museums and galleries, including the Chinati Foundation, Yale University Art Gallery and the Pinakothek der Moderne. His work has been supported by the DAAD, the Fulbright Foundation, the Yale Centre for British Art, the Bayerisches Staatsministerium fur Wissenschaft, Forschung und Kunst, and Creative New Zealand. Tab Content 6Author Website:Countries AvailableAll regions |
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