Great North American Stage Directors Volume 4: George Abbott, Vinnette Carroll, Harold Prince

Author:   Professor James Peck ,  Professor James Peck
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350045231


Pages:   240
Publication Date:   25 January 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $180.00 Quantity:  
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Great North American Stage Directors Volume 4: George Abbott, Vinnette Carroll, Harold Prince


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Full Product Details

Author:   Professor James Peck ,  Professor James Peck
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Weight:   1.000kg
ISBN:  

9781350045231


ISBN 10:   1350045233
Pages:   240
Publication Date:   25 January 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Figures Series introduction, James Peck (Muhlenberg College, USA) Acknowledgments Introduction. Henry Bial (University of Kansas, USA) & Chase Bringardner (Auburn University, USA) George Abbott 1. Speedy Entertainment: How the Abbott Touch Shaped the Mid-Century Musical, Alisa Roost (Hostos Community College, USA) 2. The Abbott Legacy, Bud Coleman (University of Colorado at Boulder, USA) 3. The Critic’s Darling, Henry Bial (University of Kansas, USA) Vinnette Carroll 4. The Remaining One-Third: Vinnette Carroll and the Urban Arts Corps, La Donna L. Forsgren (University of Notre Dame, USA) 5. An Architect of Feeling: Vinnette Carroll and Her Broadway Gospel Musicals, Brian Granger (Mary Baldwin University, USA) 6. Vinnette Carroll, Langston Hughes, and the Creation of the Gospel Song-Play, Hillary Miller (Queens College, City University of New York, USA) Harold Prince 7. Hal Prince Assumes Direction of a Genre, Paul R. Laird (University of Kansas, USA) 8. “A Show Every Year Like Clockwork”: Harold Prince’s Illustrious Career as a Revolutionary Musical Theatre Director and Creative Producer, Barbara Wallace Grossman (Tufts University, USA) 9. Producing Phantoms: Hal Prince and the Mega in the Mega-Musical, Chase Bringardner (Auburn University, USA) Notes on Contributors Index

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Henry Bial is Professor and Chair of the Department of Theatre and Dance at the University of Kansas, USA. Chase Bringardner is Professor and Chair of the Department of Theatre at Auburn University, USA.

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