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Reviews

Mandell’s latest anthology is essential reading for anyone interested in how a needle and thread can be used to express dissent, foster empowerment, and galvanize communities. With potency and heart, the writings illuminate handwork as a powerful tool for reclaiming human connection in an increasingly digitized world. -- Beth C. McLaughlin * Artistic Director and Chief Curator of Fuller Craft Museum * A book full of interpretations of craftivism from around the world that highlight how varied the world of craft can be. These essays share how craftivist work and thought can hold intensely personal perspectives while simultaneously reaching out about and exploring larger issues. -- Betsy Greer * author of Knitting for Good! and Craftivism: The Art of Craft and Activism *

Author Information

Dr. Hinda Mandell is a professor in the School of Communication at RIT in New York, where she was the director of the university’s journalism program from 2020-2024. Mandell is editor of this volume, Global Craftivism since the Pussyhats: Handcraft Responses to Violence, War, Illness and Isolation; editor Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats (Rowman & Littlefield, 2019); co-curator and co-editor of Crafting Democracy: Fiber Arts and Activism (RIT Press, 2019); a co-editor of Nasty Women and Bad Hombres: Gender and Race in the 2016 US Presidential Election (University of Rochester Press, 2018); the author of Sex Scandals, Gender and Power in Contemporary American Politics (Praeger, 2017); and co-editor of Scandal in a Digital Age (Palgrave Macmillan, 2016). As a journalist, her work has been published in Politico, The Boston Globe, The Chicago Tribune, The LA Times, among other publications. An avid DIY’er who loves to unleash creativity in others, Mandell is the founder of her university’s annual Zine Fest. Her scholarly inquiries into collaborative handcraft as change-agents have been published in Craft Research, the Journal of Urban Cultural Studies, and forthcoming in the Journal of Feminist Scholarship. She is on the international advisory board of the Journal of Craft & Communities and on the editorial board the International Journal of Sustainable Fashion and Textiles, and her research has been funded by the Center for Craft and Fiber Art Now. In 2020 she was a guest artist with Visual Studies Workshop, whose residency funded the production of her artist book, “The Yarn Must Live: A Polemic on a Pandemic and Public Art,” which was acquired by the Virginia Museum of Fine Arts in 2021. Since 2017, she has organized maker interventions on issues of social reform tied to geographic place reaching 2,000 craft participants. She is also under contract for an upcoming book with Rowman & Littlefield, Crafting Choice: Abortion Politics and Handwork in the U.S. She’s been interviewed by The New York Times and The Associated Press, among other global outlets, on the importance of making objects by hand. She is on Instagram: @crochetactivism.

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