Glee Totally Unofficial: The Ultimate Guide to the Smash-Hit High School Musical

Author:   Triumph Books ,  Triumph Books
Publisher:   Triumph Books
ISBN:  

9781600784989


Pages:   128
Publication Date:   01 March 2010
Recommended Age:   From 12 years
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Glee Totally Unofficial: The Ultimate Guide to the Smash-Hit High School Musical


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Author:   Triumph Books ,  Triumph Books
Publisher:   Triumph Books
Imprint:   Triumph Books
Dimensions:   Width: 21.50cm , Height: 1.00cm , Length: 27.90cm
Weight:   0.485kg
ISBN:  

9781600784989


ISBN 10:   1600784984
Pages:   128
Publication Date:   01 March 2010
Recommended Age:   From 12 years
Audience:   Children/juvenile ,  Children / Juvenile
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Reviews

...Glee has one great advantage over other shows - and this is probably what gets the teens squealing - its seductive musical numbers. It features contemporary songs (Gold Digger), rock classics (Don't Stop Believin') and musical-theatre staples (Maybe This Time), innovatively arranged and feelingly performed. When Glee is good (about once every episode), it shows how prearranged words and music can, in the hands of willing performers, be made to seem original, spontaneous, utterly personal... It's the same sorcery that is at work in any worthwhile theatre production. A gleeful thing indeed. -Alexis Soloski, Guardian.co.uk Theatre Blog


"""...Glee has one great advantage over other shows - and this is probably what gets the teens squealing - its seductive musical numbers. It features contemporary songs (Gold Digger), rock classics (Don't Stop Believin') and musical-theatre staples (Maybe This Time), innovatively arranged and feelingly performed. When Glee is good (about once every episode), it shows how prearranged words and music can, in the hands of willing performers, be made to seem original, spontaneous, utterly personal... It's the same sorcery that is at work in any worthwhile theatre production. A gleeful thing indeed."" -Alexis Soloski, Guardian.co.uk Theatre Blog"""


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