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9780820360485

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The Frankie dress, the Cherokee Alphabet scarf, the Carter peanut print, Betty Ford's Fifty State Flowers dress, Americana handkerchiefs: Ashley Callahan ties, knots, and unfolds these and a myriad of other fascinating facts, placing Frankie Welch firmly and forever among the list of most important American fashion and textile designers of the second half of the twentieth century. Reading this book is as magical as it must have been to witness Frankie tie a scarf herself.--Jose Blanco editor of the multi-award-winning four-volume encyclopedia Clothing and Fashion: American Fashion from Head to Toe This book is more than a biography--it's a testament to the power of objects to reveal stories of the people who left them behind and the importance of preserving and sharing the stories of lesser-known fashion figures. Packed with detail, it feels like you're digging through Welch's personal archives alongside Callahan, being treated to inspiring and entertaining stories along the way. It also offers a rare glimpse into the production side of America's midcentury fashion industry, exploring numerous facets of the fashion business from a unique southern perspective.--Sara Idacavage, fashion historian associate editor of the Fashion Studies Journal Frankie Welch's Americana introduces readers to the ultimate Washington insider. With charm, skill, and entrepreneurial zeal, Welch worked her way into the closets of first ladies and other political women as a stylist, personal shopper, and designer of campaign fashions. Ashley Callahan's lively telling of the story of Welch's career makes an important contribution to the story of American design.--Susan Brown, associate curator, textiles, Cooper Hewitt Smithsonian Design Museum

The Frankie dress, the Cherokee Alphabet scarf, the Carter peanut print, Betty Ford's Fifty State Flowers dress, Americana handkerchiefs: Ashley Callahan ties, knots, and unfolds these and a myriad of other fascinating facts, placing Frankie Welch firmly and forever among the list of most important American fashion and textile designers of the second half of the twentieth century. Reading this book is as magical as it must have been to witness Frankie tie a scarf herself.--Jose Blanco editor of the multi-award-winning four-volume encyclopedia Clothing and Fashion: American Fashion from Head to Toe This book is more than a biography--it's a testament to the power of objects to reveal stories of the people who left them behind and the importance of preserving and sharing the stories of lesser-known fashion figures. Packed with detail, it feels like you're digging through Welch's personal archives alongside Callahan, being treated to inspiring and entertaining stories along the way. It also offers a rare glimpse into the production side of America's midcentury fashion industry, exploring numerous facets of the fashion business from a unique southern perspective.--Sara Idacavage, fashion historian associate editor of the Fashion Studies Journal Frankie Welch's Americana introduces readers to the ultimate Washington insider. With charm, skill, and entrepreneurial zeal, Welch worked her way into the closets of first ladies and other political women as a stylist, personal shopper, and designer of campaign fashions. Ashley Callahan's lively telling of the story of Welch's career makes an important contribution to the story of American design.--Susan Brown, associate curator, textiles, Cooper Hewitt Smithsonian Design Museum

Author Information

Ashley Callahan has an MA in the history of American decorative arts from Parsons School of Design and the Cooper Hewitt, Smithsonian Design Museum, and a BA in art history from Sewanee, the University of the South. Callahan, an independent scholar and former curator of decorative arts at the Georgia Museum of Art, is the author of Southern Tufts: The Regional Origins and National Craze for Chenille Fashion (Georgia); Georgia Bellflowers: The Furniture of Henry Eugene Thomas; Modern Threads: Fashion and Art by Mariska Karasz; and Enchanting Modern: Ilonka Karasz and coauthor of Crafting History: Textiles, Metals, and Ceramics at the University of Georgia. She lives in Athens, Georgia.

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