Overview

FOOTSTEPS IN THE NIGHT The Southern California land had been in Dronk's family for years, but he sold most of it to developers, and that's how Dellwood came to be. Once a few new houses went up, they flocked to buy... Miss Silverter, the repressed spinster with a hidden passion. The brash, young Arthur family, including their stubborn old grandfather. The Holdens, a curious couple who feed off each other's weaknesses. And the tightly-wound Bartletts, with their beautiful young daughter, who immediately befriends Dronk's crippled teenage son. When she disappears one evening, the Bartletts naturally assume that the son is involved. But Dellwood is so full of secrets that the son is only one of Sheriff Ferguson's suspects. They're all guilty of something... BEAT BACK THE TIDE Glazer hires Francesca Warne as governess to his young son without realizing that she has a history with his cliff house. Her husband Adam had been shot to death on the beach below, back before Glazer bought it. Now she is asking Glazer to help her find out what really happened two years ago. So Glazer begins questioning the people involved: lovely, sensuous Mary Shelton, who married one of the men who used to own his house; the sadistic cop, Byronson, who still thinks Francesca was involved; pugnacious Conway, the other former owner, who knows more than he is telling; and Tremaine, Adam's only friend. Glazer quickly learns that Adam Warne was a self-hating drunk who had been despised by most of the town--but who hated him enough to have killed him?

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9781944520939

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In her latest thriller, Footsteps in the Night, clever Dolores Hitchens takes as her theme the fact that there are skeletons in the closets of the most unlikely homes. You won't go wrong with this new Crime Club selection. --H. Viggo Andersen, Hartford Courant Mrs. Hitchens weaves an ever-interesting story of life in a small Californian subdivision, in which each family has a secret that the murder forces into the open--all shrewdly and compassionately observed. --Anthony Boucher, New York Times Hitchens's unnerving tale has a wonderfully dark, ominous tone, and the many shifting viewpoints and criss-cross motives help shape it into a thoroughly riveting, intricate page-turner. --Nicholas Litchfield from his Introduction

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