Overview

A ground-breaking contribution that broadens our understanding of the history of prints, this edited volume assembles international senior and rising scholars and showcases an array of exciting new research that reassesses the history of women in the graphic arts c. 1700 to 1830. Sixteen essays present archival findings and insightful analyses that tell compelling stories about women across social classes and nations who persevered against the obstacles of their gender to make vital contributions as creative and skilled graphic artists, astute entrepreneurs and savvy negotiators of copyright law in Britain, France, Germany, Holland, Italy and the United States. The book is a valuable resource for both students and instructors, offers important new perspectives for print scholars and aims to provide impetus for further research. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

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9781108844772

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Reviews

'Martinez and Roman have curated a thoughtfully organized – and utterly necessary – collection of essays that offer insight into the labor and experiences of women printmakers and -sellers. In so doing, they bring to light a virtually unknown aspect of image-making and circulation in the long 18th century. Across its three sections, this book offers an effective mixture of methods, archives, and examples from different national traditions. It introduces readers to artists and entrepreneurs they may otherwise never have encountered and acts as a model for future scholarship.' Thora Brylowe, Associate Professor of English, University of Colorado, Boulder 'This fascinating volume is the first to shed light on the considerable – yet, until now, largely invisible – contributions of women to the eighteenth-century print industry. It offers a rich, detailed study which promises to revitalise the study of graphic culture, drawing out across a series of multi-national case studies the ways in which women negotiated the artistic, technical, commercial, domestic, legal and political landscapes they entered. More than a work of simple historical recovery, the volume builds on its meticulously empirical foundations to draw out exciting new narratives about the participation of women in the print trade over the long eighteenth century.' Rosemarie Dias, Associate Professor of the History of Art, University of Warwick 'Fulfilling a genuine interdisciplinary need for a book-length study addressing this neglected subject, this collection is the first of its kind. Shining new light on the diverse roles played by women in the trades as etchers, engravers, illustrators, and other makers and sellers of graphic prints, it offers a multi-national perspective addressing European and American women workers and artists as they negotiated the artistic, legal, and commercial challenges of their era.' Paula McDowell, Professor of English, New York University

Author Information

Cristina S. Martinez is an art historian who specialises in British eighteenth-century art and copyright history. She is the author of the entry on Jane Hogarth in the Oxford Dictionary of National Biography and has received several awards including a Bodleian Library fellowship. Cynthia E. Roman is Curator of Prints, Drawings and Paintings at the Lewis Walpole Library, Yale University. She is an active and widely published scholar of British art of the eighteenth century. Her work focuses on the history of prints and print collecting, and the work of women and amateur artists.

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