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Author:   Ying Huang
Publisher:   Springer Verlag, Singapore
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2024
ISBN:  

9789819720330

ISBN 10:   9819720338
Pages:   298
Publication Date:   01 June 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Manufactured on demand  

Table of Contents

Part I: The development of China's audio streaming programs.- Chapter 1: Background of the birth and development of China audio streaming programs.- Chapter 2: The history of audio in China.- Part II: Research on China's Internet Audio Program Industry in Comparative Perspective (2011-2022).- Chapter 3: U.S. Podcast Industry 2011-2022.- Chapter 4: British Podcast Industry 2011-2022.- Chapter 5: World audiobook development 2011-2022.- Chapter 6: China Podcast Industry 2011 - 2022.- Chapter 7: The development of audiobooks in China from 2011 to 2022.- Chapter 8: the current situation and trends in knowledge audio development around the world after 2011.- Chapter 9: Status and Trends of Knowledge-Based Audio Development in China after 2011.- Part III: Research on the development platform of Audio Streaming Programs.- Chapter 10: XiaoyuzhouFM.- Chapter 12: Himalaya.- Chapter 13: Missevan App.- Part IV: China Audio Streaming Programs IV.- Chapter 14: JustPod.- Chapter 15 ShengFM.- Chapter 16: Killing TV.- Chapter 17: The Book is Done.- Part V The Case Study of Audio Streaming Programming.- Chapter 18: Serial.- Chapter 19: Welcome Back To Sound.- Chapter 20: The Three-Body Problem.- Chapter 21: We Know Nothing.- Chapter 22: Analyses of the audience for Grandmaster of Demonic Cultivation.- Part VI Study on the Development Trend of Ear Economy in the Context of Global Audiovisual Ecology.- Chapter 23: Research on cultural tourism is empowered by podcasts.- Chapter 24: Podcasts as a Creative Tool for Film and Television.- Chapter 25: Study on Podcasting Empowered Brands.

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Author Information

Ying Huang is an Assistant Professor, Academy of Film， Macau University of Science and Technology, a post-doctoral fellow in School of Journalism and Communication, Tsinghua University.

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