Overview

New York Times Editor's Choice Twenty-two-year-old Galen lives with his emotionally dependent mother in a secluded house outside Sacramento, surviving on the family's trust fund--money that his aunt, Helen, and seventeen-year-old cousin, Jennifer, are determined to get their hands on. A New Age believer who considers himself an old soul, Galen yearns for transformation but is powerless to stop the manic binges that overtake him. He dreams of shedding his clinging mother and is obsessed with thoughts of the boldly flirtatious Jennifer. But when the family takes a trip to a cabin in the Sierras, Galen discovers just how far he will go to attain the transcendence he craves.

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9780062121073

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Reviews

Brave and brilliant. . . . Dirt is showing us something unexpected, and unexpectedly stunning . . . Vann's details here, as always, are pitch-perfect. -- San Francisco Chronicle Haunting. -- Financial Times Searing. . . . Vann has an extravagantly literary sensibility, and his novel is full of echoes: One thinks of the stately inevitability of classical tragedy, of Chekhov s lost souls, of the hallucinatory quality of Faulkner s rural fantasia, and of Stephen King s depictions of an unraveling mind. -- Washington Post Book World There s a lot of humor here, of a very dark vein. And Vann, a Guggenheim fellow, excels at sly truths -- Boston Globe Brilliant narrative. . . . This is a novel of violence, destruction and ruin. There is no salvation. And yet Mr. Vann s soaring writing carries it forward-a reminder of the beauty that can grace even the beastliest things. -- The Economist His language is sharply funny, even as his characters enact a tragedy of Greek proportions. -- The New Yorker The book is wonderfully twisted, but a sinister humor keeps things from getting too bleak. What begins as a literary family drama turns slowly into a heady horror story, part Stephen King and part Immanuel Kant. -- The Daily Beast Brave and brilliant. . . . Dirt is showing us something unexpected, and unexpectedly stunning . . . Vann s details here, as always, are pitch-perfect. -- San Francisco Chronicle Haunting. -- Financial Times Vann has a remarkable gift for capturing the harsh realities of a family held together by hate and violence. Riveting and impossible to put down. -- Library Journal (starred review) Multi-award winner Vann writes undeniably powerful prose, whether he is blithely satirizing transcendental meditation, or meticulously detailing Galen s descent into madness. -- Booklist David Vann excels at writing about the darkest side of the human heart. . . . Vann fully exhibits the writer s chops that served him well in his earlier works, and he again plumbs the darker parts of the human psyche. This novel is simultaneously disturbing and haunting. -- Denver Post Harrowing. . . . Vann, a professor at UC San Francisco, is often compared to Cormac McCarthy; he exerts a powerful grip here, as Galen learns how far he s willing to go to get free. -- San Jose Mercury News Vann truly is brave. . . . there is no denying we emerge indelibly affected. -- Philadelphia Inquirer This experience is prolonged to the very last page, graceful paragraph, stunning word. Then it reverberates. Vann s book is art, and not to be missed. -- BookPage This experience is prolonged to the very last page, graceful paragraph, stunning word. Then it reverberates. Vann's book is art, and not to be missed. --BookPage Vann truly is brave. . . . there is no denying we emerge indelibly affected. --Philadelphia Inquirer Harrowing. . . . Vann, a professor at UC San Francisco, is often compared to Cormac McCarthy; he exerts a powerful grip here, as Galen learns how far he's willing to go to get free. --San Jose Mercury News David Vann excels at writing about the darkest side of the human heart. . . . Vann fully exhibits the writer's chops that served him well in his earlier works, and he again plumbs the darker parts of the human psyche. This novel is simultaneously disturbing and haunting. --Denver Post Multi-award winner Vann writes undeniably powerful prose, whether he is blithely satirizing transcendental meditation, or meticulously detailing Galen's descent into madness. --Booklist Vann has a remarkable gift for capturing the harsh realities of a family held together by hate and violence. Riveting and impossible to put down. --Library Journal (starred review) Haunting. --Financial Times Brave and brilliant. . . . Dirt is showing us something unexpected, and unexpectedly stunning . . . Vann's details here, as always, are pitch-perfect. --San Francisco Chronicle The book is wonderfully twisted, but a sinister humor keeps things from getting too bleak. What begins as a literary family drama turns slowly into a heady horror story, part Stephen King and part Immanuel Kant. --The Daily Beast His language is sharply funny, even as his characters enact a tragedy of Greek proportions. --The New Yorker Brilliant narrative. . . . This is a novel of violence, destruction and ruin. There is no salvation. And yet Mr. Vann's soaring writing carries it forward-a reminder of the beauty that can grace even the beastliest things. --The Economist There's a lot of humor here, of a very dark vein. And Vann, a Guggenheim fellow, excels at sly truths --Boston Globe Searing. . . . Vann has an extravagantly literary sensibility, and his novel is full of echoes: One thinks of the stately inevitability of classical tragedy, of Chekhov's lost souls, of the hallucinatory quality of Faulkner's rural fantasia, and of Stephen King's depictions of an unraveling mind. --Washington Post Book World

Multi-award winner Vann writes undeniably powerful prose, whether he is blithely satirizing transcendental meditation, or meticulously detailing Galen's descent into madness. -- Booklist

Vann truly is brave. . . . there is no denying we emerge indelibly affected. -- Philadelphia Inquirer

Author Information

Published in twenty languages, David Vann's internationally bestselling books have won fifteen prizes, including best foreign novel in France and Spain, and have appeared on seventy-five Best Books of the Year lists in a dozen countries. He's written for the New York Times, Atlantic, Esquire, Outside, Sunset, Men's Journal, McSweeney's, and many other publications, and he has been a Guggenheim, Stegner, and NEA fellow.

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