Overview

Full Product Details

9781472134103

Table of Contents

Reviews

[Denim and Leather] captures a moment in time and a genre of music that had a brief moment in the sun . . . The book is an honest portrayal, directly from the horse's mouth . . . The interesting thing is that it was people trying to discover their own identities . . . The book sums it up by the people who experienced it * Phil Collen, Def Leppard * There is a real tenderness to Michael Hann's perception of music, a perception that has balance of forthright investigation and humane intrigue, neither meek nor ruthless as interviewer and writer, he serves the outsider with empathy and grounded wonder. Hann's perspective on the New Wave of British Heavy Metal leads Denim and Leather to be what I want as a music fan: a revelation of the overlooked and a celebration of the underdog. Which is what the genre was all about in the first place! Magic * Joe Talbot, Idles * The influence of British metal extends far beyond the amount of newsprint miles expended on it. Denim and Leather acts both as the oral history its fans deserve and a deeply evocative primer for those of us who weren't paying attention at the time. With Denim and Leather, Michael Hann has masterfully interwoven dozens of disparate narratives to create a deeply evocative oral history of a hugely misunderstood chapter in British music history. Denim and Leather voyages beyond music history and into the realm of sociology to honour the importance of the misunderstood movement whose history it exists to tell - in the process creating a deeply evocative primer for both fans and the merely curious * Pete Paphides, author of Broken Greek * Finally, a book about one of the most overlooked and unfairly derided movements in music history. There is so much in here, metal music that shaped everything that came afterwards, joy, pathos, humour and darkness. I learned so much; now excuse me while I go brush up on Witchfynde * Frank Turner * Denim and Leather is enthralling and entertaining for both hardcore fans and novice listeners of the New Wave of British Heavy Metal. I previously did not know much beyond the biggest bands in the genre, but I found this book captivating and consistently amusing. Michael Hann talks to all the major players in the NWOBHM, who are often contradictory, sometimes delusional, and usually very charming. The book opened my eyes and ears to a lot of music I didn't previously know, and helped me contextualize exactly what was so unique about this music and the scene around it * Craig Finn, The Hold Steady * Part of the book's charm is Hann's rendering of local accents, even as his interviewees hold forth on their lurid flirtations with the dark side... [an] entertaining and poignant oral history * Financial Times *

[Denim and Leather] captures a moment in time and a genre of music that had a brief moment in the sun . . . The book is an honest portrayal, directly from the horse's mouth . . . The interesting thing is that it was people trying to discover their own identities . . . The book sums it up by the people who experienced it * Phil Collen, Def Leppard * There is a real tenderness to Michael Hann's perception of music, a perception that has balance of forthright investigation and humane intrigue, neither meek nor ruthless as interviewer and writer, he serves the outsider with empathy and grounded wonder. Hann's perspective on the New Wave of British Heavy Metal leads Denim and Leather to be what I want as a music fan: a revelation of the overlooked and a celebration of the underdog. Which is what the genre was all about in the first place! Magic * Joe Talbot, Idles * The influence of British metal extends far beyond the amount of newsprint miles expended on it. Denim and Leather acts both as the oral history its fans deserve and a deeply evocative primer for those of us who weren't paying attention at the time. With Denim and Leather, Michael Hann has masterfully interwoven dozens of disparate narratives to create a deeply evocative oral history of a hugely misunderstood chapter in British music history. Denim and Leather voyages beyond music history and into the realm of sociology to honour the importance of the misunderstood movement whose history it exists to tell - in the process creating a deeply evocative primer for both fans and the merely curious * Pete Paphides, author of Broken Greek * Finally, a book about one of the most overlooked and unfairly derided movements in music history. There is so much in here, metal music that shaped everything that came afterwards, joy, pathos, humour and darkness. I learned so much; now excuse me while I go brush up on Witchfynde * Frank Turner * Denim and Leather is enthralling and entertaining for both hardcore fans and novice listeners of the New Wave of British Heavy Metal. I previously did not know much beyond the biggest bands in the genre, but I found this book captivating and consistently amusing. Michael Hann talks to all the major players in the NWOBHM, who are often contradictory, sometimes delusional, and usually very charming. The book opened my eyes and ears to a lot of music I didn't previously know, and helped me contextualize exactly what was so unique about this music and the scene around it * Craig Finn, The Hold Steady * Part of the book's charm is Hann's rendering of local accents, even as his interviewees hold forth on their lurid flirtations with the dark side... [an] entertaining and poignant oral history * Financial Times * A number of lively vignettes... fascinating and entertaining * Telegraph *

[Denim and Leather] captures a moment in time and a genre of music that had a brief moment in the sun . . . The book is an honest portrayal, directly from the horse's mouth . . . The interesting thing is that it was people trying to discover their own identities . . . The book sums it up by the people who experienced it * Phil Collen, Def Leppard * There is a real tenderness to Michael Hann's perception of music, a perception that has balance of forthright investigation and humane intrigue, neither meek nor ruthless as interviewer and writer, he serves the outsider with empathy and grounded wonder. Hann's perspective on the New Wave of British Heavy Metal leads Denim and Leather to be what I want as a music fan: a revelation of the overlooked and a celebration of the underdog. Which is what the genre was all about in the first place! Magic * Joe Talbot, Idles * The influence of British metal extends far beyond the amount of newsprint miles expended on it. Denim and Leather acts both as the oral history its fans deserve and a deeply evocative primer for those of us who weren't paying attention at the time. With Denim and Leather, Michael Hann has masterfully interwoven dozens of disparate narratives to create a deeply evocative oral history of a hugely misunderstood chapter in British music history. Denim and Leather voyages beyond music history and into the realm of sociology to honour the importance of the misunderstood movement whose history it exists to tell - in the process creating a deeply evocative primer for both fans and the merely curious * Pete Paphides, author of Broken Greek * Finally, a book about one of the most overlooked and unfairly derided movements in music history. There is so much in here, metal music that shaped everything that came afterwards, joy, pathos, humour and darkness. I learned so much; now excuse me while I go brush up on Witchfynde * Frank Turner * Denim and Leather is enthralling and entertaining for both hardcore fans and novice listeners of the New Wave of British Heavy Metal. I previously did not know much beyond the biggest bands in the genre, but I found this book captivating and consistently amusing. Michael Hann talks to all the major players in the NWOBHM, who are often contradictory, sometimes delusional, and usually very charming. The book opened my eyes and ears to a lot of music I didn't previously know, and helped me contextualize exactly what was so unique about this music and the scene around it * Craig Finn, The Hold Steady *

Author Information

Michael Hann writes for titles including the Guardian, the Financial Times, The Independent, The Economist, Spectator and The Quietus. He was formerly music editor of the Guardian and editor of FourFourTwo. The first band he saw was Samson (opening for Whitesnake). Denim and Leather is his first book.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available