Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft

Author:   Dr. Mihaela Mihailova (San Francisco State University, USA) ,  Chris Pallant (Canterbury Christ Church University UK)
Publisher:   Bloomsbury Publishing Plc
Edition:   NIPPOD
ISBN:  

9781501381430


Pages:   296
Publication Date:   23 March 2023
Format:   Paperback
Availability:   In Print   Availability explained
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Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft


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Author:   Dr. Mihaela Mihailova (San Francisco State University, USA) ,  Chris Pallant (Canterbury Christ Church University UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Edition:   NIPPOD
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781501381430


ISBN 10:   1501381431
Pages:   296
Publication Date:   23 March 2023
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft is an exciting collection and a much welcome contribution to animation studies. The essays address Coraline from a range of perspectives, collectively positioning it as a key LAIKA feature and a landmark in stop-motion history. A great read for all animation enthusiasts. --Filipa Antunes, Lecturer in Humanities, University of East Anglia, UK A book of insightful and thoughtful readings, Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft is an impressive kind of assemblage, in and of its own mode of witchcraft. Its editor, Mihaela Mihailova, has structured a hall of mirrors for animation scholars and students to accompany Coraline as she travels through the tunnel to arrive on yet another, albeit different side; one that addresses the critical complexity of animation history as a mode of art and cultural reflection well beyond the Hollywood sign. This collection of scholarly writing is a significant contribution to the canon of literature in animation history with the publishing of the first critical book on this film. Bravo. --Janeann Dill, Doktor der Philosophie, MFA, USA


Author Information

Mihaela Mihailova is Assistant Professor in the School of Cinema at San Francisco State University. She has published in Journal of Cinema and Media Studies, [in]Transition,Convergence: The International Journal of Research into New Media Technologies, Feminist Media Studies, animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, Flow, and Kino Kultura. She has also contributed chapters to Animating Film Theory (with John MacKay), Animated Landscapes: History, Form, and Function, The Animation Studies Reader, and Drawn from Life: Issues and Themes in Animated Documentary Cinema. Dr. Mihailova is the co-editor of Animation Studies and currently serves as Secretary of the Society for Animation Studies

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