Overview

Everything you thought you know about magic will...vanish. Journey into a world where the lines between magic and reality are blurred...and where one man will soon find himself as the last remaining hope for all mankind. In Las Vegas, luck is everything. For Sin City's leading 'entertainer,' Hank the Magnificent, his luck as Vegas' most illustrious and famous magician is about to run out! When the powers of an ancient magic once imprisoned in another realm spring forth into our reality searching for revenge at all costs, Hank soon finds himself at the center of an undying war between the forces of truth and a devastating plague of growing evil--and his hopes for survival are slim at best!

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9780985447373

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Khary Randolph's art is sharp and stylish while Emilio Lopez's colours compliment it perfectly with a great vibrancy. All the glitz and glamour of Vegas is captured, while the more subtle moments of facial expression is handled equally well. This issue was a complete surprise, the premise was shot through almost immediately and the whole story twisted so violently at the end, I was left puzzled about where it might go. It might just be that because I made all of these assumptions, when it didn't turn out as formulaic as I had expected it was better for it. Either way, it sucked me right in, so I guess I should stop trying to second guess stuff and just enjoy the ride. What's nice about Zatara-analogue Hank's conversation with alcoholic, magic-knowledgeable Hector is the dialogue flows naturally, showing the characters already have some history in place. Hernandez gets across the subtext of their interactions so well (helped by the occasional, revealing thought bubble) that you get a good sense of their relationships without having them spelled out to you. Even the spats between Hank and girlfriend/showgirl Alle have layers-despite their irritation, they still possess a degree of caring and empathy for each other. The art is absolutely beautiful. Khary Randolph draws an awesome griffin (oh yeah, there's griffins) and colourist Emilio Lopez makes the magic really really pretty, there are these blue 'force lightning' effects that light up the whole page.

Khary Randolph's art is sharp and stylish while Emilio Lopez's colours compliment it perfectly with a great vibrancy. All the glitz and glamour of Vegas is captured, while the more subtle moments of facial expression is handled equally well.

Khary Randolph's art is sharp and stylish while Emilio Lopez's colours compliment it perfectly with a great vibrancy. All the glitz and glamour of Vegas is captured, while the more subtle moments of facial expression is handled equally well. This issue was a complete surprise, the premise was shot through almost immediately and the whole story twisted so violently at the end, I was left puzzled about where it might go. It might just be that because I made all of these assumptions, when it didn't turn out as formulaic as I had expected it was better for it. Either way, it sucked me right in, so I guess I should stop trying to second guess stuff and just enjoy the ride. What's nice about Zatara-analogue Hank's conversation with alcoholic, magic-knowledgeable Hector is the dialogue flows naturally, showing the characters already have some history in place. Hernandez gets across the subtext of their interactions so well (helped by the occasional, revealing thought bubble) that you get a good sense of their relationships without having them spelled out to you. Even the spats between Hank and girlfriend/showgirl Alle have layers-despite their irritation, they still possess a degree of caring and empathy for each other. The art is absolutely beautiful. Khary Randolph draws an awesome griffin (oh yeah, there's griffins) and colourist Emilio Lopez makes the magic really really pretty, there are these blue 'force lightning' effects that light up the whole page.

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