Overview

As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

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9780252042430

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Reviews

Building the Black Arts Movement is both thoroughly researched and beautifully written with a sharp class and gender analysis. As such, it will reshape how historians approach this movement and its historical actors. --Journal of African American History Fenderson succeeds in challenging readers to rethink Fuller's times by presenting a counternarrative to the oftentimes overly harmonious representation of Black social movements in the United States. --Journal of Folklore Research Jonathan Fenderson's book is a masterwork of African American intellectual and cultural history, bringing to light a man whose name should be mentioned more often in the histories of contemporary America. --Society for U.S. Intellectual History Very powerfully and marvelously written--a page turner. Fenderson's book is bound to reach a wide audience with this mastery of narrative and exposition. Indeed, I don't think that the story of the Black Arts Movement has been told in such a sweeping narrative of that era. --Komozi Woodard, author of A Nation within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics Jonathan Fenderson's Building the Black Arts Movement is a brilliant study of one of the key figures of the Black Arts and Black Power movements. Fenderson's account of Fuller is also a history of Black Arts and Black Power in Chicago that in turn illuminates the ideological, aesthetic, and institutional development of black political and cultural radicalism in the 1960s and 1970s. --James Smethurst, author of The Black Arts Movement: Literary Nationalism in the 1960s and 1970s

Very powerfully and marvelously written-a page turner. Fenderson's book is bound to reach a wide audience with this mastery of narrative and exposition. Indeed, I don't think that the story of the Black Arts Movement has been told in such a sweeping narrative of that era.--Komozi Woodard, author of A Nation within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics Jonathan Fenderson's Building the Black Arts Movement is a brilliant study of one of the key figures of the Black Arts and Black Power movements. Fenderson's account of Fuller is also a history of Black Arts and Black Power in Chicago that in turn illuminates the ideological, aesthetic, and institutional development of black political and cultural radicalism in the 1960s and 1970s.--James Smethurst, author of The Black Arts Movement: Literary Nationalism in the 1960s and 1970s

"""Building the Black Arts Movement is both thoroughly researched and beautifully written with a sharp class and gender analysis. As such, it will reshape how historians approach this movement and its historical actors."" --Journal of African American History ""Fenderson succeeds in challenging readers to rethink Fuller's times by presenting a counternarrative to the oftentimes overly harmonious representation of Black social movements in the United States."" --Journal of Folklore Research ""Jonathan Fenderson’s book is a masterwork of African American intellectual and cultural history, bringing to light a man whose name should be mentioned more often in the histories of contemporary America."" --Society for U.S. Intellectual History"

Very powerfully and marvelously written--a page turner. Fenderson's book is bound to reach a wide audience with this mastery of narrative and exposition. Indeed, I don't think that the story of the Black Arts Movement has been told in such a sweeping narrative of that era. --Komozi Woodard, author of A Nation within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics Jonathan Fenderson's book is a masterwork of African American intellectual and cultural history, bringing to light a man whose name should be mentioned more often in the histories of contemporary America. --Society for U.S. Intellectual History Jonathan Fenderson's Building the Black Arts Movement is a brilliant study of one of the key figures of the Black Arts and Black Power movements. Fenderson's account of Fuller is also a history of Black Arts and Black Power in Chicago that in turn illuminates the ideological, aesthetic, and institutional development of black political and cultural radicalism in the 1960s and 1970s. --James Smethurst, author of The Black Arts Movement: Literary Nationalism in the 1960s and 1970s

Jonathan Fenderson's book is a masterwork of African American intellectual and cultural history, bringing to light a man whose name should be mentioned more often in the histories of contemporary America. --Society for U.S. Intellectual History Very powerfully and marvelously written--a page turner. Fenderson's book is bound to reach a wide audience with this mastery of narrative and exposition. Indeed, I don't think that the story of the Black Arts Movement has been told in such a sweeping narrative of that era. --Komozi Woodard, author of A Nation within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics Jonathan Fenderson's Building the Black Arts Movement is a brilliant study of one of the key figures of the Black Arts and Black Power movements. Fenderson's account of Fuller is also a history of Black Arts and Black Power in Chicago that in turn illuminates the ideological, aesthetic, and institutional development of black political and cultural radicalism in the 1960s and 1970s. --James Smethurst, author of The Black Arts Movement: Literary Nationalism in the 1960s and 1970s

Author Information

Jonathan Fenderson is an assistant professor of African and African American studies at Washington University in St. Louis.

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