Overview

Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Professor Nornes also looks at the role calligraphy plays in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. It then considers how cinematic writing presents the peculiarities of calligraphy as resources for innovative screenwriters and filmmakers. These chapters ask how calligraphy creates new meaning in cinema, as well as providing a demonstration of how this all works in a single film. The last part of the book moves to other regions of theory, particularly questions surrounding the cinematization of the handwritten word.

Full Product Details

9780472132553

Table of Contents

Reviews

Markus Nornes' Brushed in Light is a fantastic investigation of the history and importance of calligraphy in East Asian cinema...The text is not only original in its fundamental topic, but fascinating in its depth of detail and generally superb in its execution. Nornes deftly combines discussions of calligraphy's history and conservative protection under formal schools with the novel, playful, and exceptional use in cinema in a way that is engaging even to those without a background in the various fields his book straddles. - International Journal of Asian Studies-- International Journal of Asian Studies

Author Information

Markus Nornes is Professor of Asian Cinema at the University of Michigan.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available