Free Delivery Over $100
|
|
|||
|
||||
OverviewThe sculptural history of the long 1980s has been dominated by New British Sculpture and Young British Artists. Arguing for a more expansive history of British sculpture and its supporting infrastructures, these twenty-three vivid and enthralling interviews with artists, curators, dealers and facilitators working then demonstrate the interconnected networks, diversity of ideas and practices, energy, imagination and determination that transformed British art from being marginal to internationally celebrated. With a substantial introduction, this timely volume provides valuable new insights into the education, work, careers, studios, infrastructures and exhibitions of the artists and facilitators, substantially enlarging our understanding of the era. Full Product DetailsAuthor: Dr Imogen Racz (Assistant Professor in Art History, Independent Scholar, UK)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Visual Arts Edition: NIPPOD Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.40cm Weight: 0.454kg ISBN: 9781350191570ISBN 10: 1350191574 Pages: 312 Publication Date: 17 November 2022 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Acknowledgements Introduction Rasheed Araeen, Artist, curator and writer Susan Hiller, Artist Robin Klassnik, Artist and Director of Matt’s Gallery Bill Woodrow, Artist Alison Wilding, Artist Jacqui Poncelet, Artist Richard Deacon, Artist Katherine Gili, Artist Nicholas Pope, Artist Roger Malbert, Art Officer at the Arts Council, then Head of Hayward Gallery Touring Jonathan Harvey, Co-founder and Chief Executive of Acme Studios Mikey Cuddihy, Artist Kate Blacker, Artist Richard Wilson, Artist Antonia Payne, Director of Ikon Gallery, 1981 to 1988 Hilary Gresty, Curator of Kettle’s Yard 1983 to 1989 Veronica Ryan, Artist Langlands & Bell (Ben Langlands and Nikki Bell), Artists Cathy de Monchaux, Artist Laura Ford, Artist James Lingwood, Curator, then Co-director of Artangel Karsten Schubert, Art Dealer Abigail Lane, Artist Afterword IndexReviewsThrough twenty-three thoughtful interviews, Imogen Racz's book surveys the legacies, wit, and energy of British art in the 1980s. The reflections of artists and producers narrate how this decade formed new networks and, importantly, how artists started to democratise art in Britain. --Lisa Le Feuvre, Executive Director, Holt/Smithson Foundation, USA This immensely readable collection of interviews sheds light on an overlooked decade. Racz's warm yet incisive questioning elicits enlightening responses, from astute analyses of individual practices to contextual reflections. A vibrant scene emerges, one fuelled by the actions of a wider network of protagonists than is often acknowledged. --Natalie Rudd, Senior Curator, Arts Council Collection, UK This fascinating and important book re-examines and reframes the narrative of British sculpture in the 1980s, a decade that saw seismic changes as British artists began to be internationally recognised and exhibited. Racz's interviewees include many of the leading artists, curators and facilitators of the time and their testimony is a vivid record of what it was like to live and work as an artist and of how this changed in the course of the decade and beyond. The difficulties faced by women artists, not only as a result of prejudice but also owing to complex debates about the representation of the female body, come through strongly. The book is particularly engaging when artists speak about their working methods, the sources of their ideas and the experience of making. For all the financial and other limitations of the decade, the reader has the impression that this was a time of freedom, the burgeoning of ideas and a joy in making. The book is essential reading for scholars of this period of art history and will also appeal to anyone interested in the development of art practice in the UK. --Patricia Townsend, artist, psychoanalytic psychotherapist and author of Creative States of Mind: Psychoanalysis and the Artist's Process (2019) Imogen Racz's timely and important account of British Art of the Long 1980s unsettles easy narratives of an era recent enough to be part of living memory but long enough ago to enable reflective contemplation. Caught at a moment when the memory of this era threatens to disappear (two of her interviewees are no longer with us), Racz's book is crafted around a series of vivid, enthralling and sometimes surprisingly candid interviews. By slightly lengthening the timespan and, most revealingly, talking to practitioners, curators, dealers and facilitators who were enmeshed in this history, Racz's account allows a subtle realignment of the usual co-ordinates. Rather than explode the myths of New British Sculpture or the YBAs , she reveals underlying connections in the networks of the time and repositions sculpture and object-based practices allowing a more complexly connected history to be revealed. --Joy Sleeman, Professor of Art History and Theory, UCL Slade School of Fine Art, UK Author InformationImogen Racz is Associate Head of School – Research, School of Art and Design, Coventry University, UK. Specialising in post-war sculptural and object-based practices, she has published widely around themes related to the home, including Art and the Home: Comfort, Alienation and the Everyday (2015). Tab Content 6Author Website:Countries AvailableAll regions |
||||
