Black Women in American Bands and Orchestras

Author:   Antoinette D. Handy
Publisher:   Scarecrow Press
Edition:   2nd Edition
ISBN:  

9780810834194


Pages:   432
Publication Date:   21 December 1998
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Black Women in American Bands and Orchestras


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Overview

Profiles are presented under the headings of orchestras and orchestra leaders, string players, wind and percussion players, keyboard players, and non-playing orchestra/band affiliates. Features 100 photographs.

Full Product Details

Author:   Antoinette D. Handy
Publisher:   Scarecrow Press
Imprint:   Scarecrow Press
Edition:   2nd Edition
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780810834194


ISBN 10:   0810834197
Pages:   432
Publication Date:   21 December 1998
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Handy has done a tremendous service...Handy's project could easily serve as a foundation and reference...on the subject. * Cadence Magazine * Since the subject is largely ignored otherwise, we owe her a debt of gratitude...if you are seeking any details about the women highlighted in this book, you have found a gold mine! * Jazz Educators Journal * Overall, this is a thoughtful, useful compendium on a major segment of women's accomplishments. * American Reference Books Annual * She offers a comprehensive review of an overlooked subject. Hopefully it can help provide a foundation, and role models, for young African-American Women pursuing careers as a musician in a band or a ochestra. * Counterpoise * ...a fascinating study...shows the contribution made by black women to American music. * Big Bands International *


Handy has done a tremendous service...Handy's project could easily serve as a foundation and reference...on the subject. Cadence Since the subject is largely ignored otherwise, we owe her a debt of gratitude...if you are seeking any details about the women highlighted in this book, you have found a gold mine! Jazz Educators Journal Overall, this is a thoughtful, useful compendium on a major segment of women's accomplishments. Arba She offers a comprehensive review of an overlooked subject. Hopefully it can help provide a foundation, and role models, for young African-American Women pursuing careers as a musician in a band or a ochestra. Counterpoise ...a fascinating study...shows the contribution made by black women to American music. Big Bands International


Handy has done a tremendous service...Handy's project could easily serve as a foundation and reference...on the subject. Cadence Magazine Since the subject is largely ignored otherwise, we owe her a debt of gratitude...if you are seeking any details about the women highlighted in this book, you have found a gold mine! Jazz Educators Journal Overall, this is a thoughtful, useful compendium on a major segment of women's accomplishments. American Reference Books Annual She offers a comprehensive review of an overlooked subject. Hopefully it can help provide a foundation, and role models, for young African-American Women pursuing careers as a musician in a band or a ochestra. Counterpoise ...a fascinating study...shows the contribution made by black women to American music. Big Bands International


Author Information

D. Antoinette Handy (1931-2002) was a flutist with degrees from New England Conservatory and Northwestern University, a diploma from Paris National Conservatory and honorary degrees from Cleveland Institute of Music and Whittier College. She was a Humanities Fellow at the University of North Caroluna and Duke University. She taught flute, music theory and history at several colleges and universities and had been resident flutist with many leading American and European orchestras. She retired as Director of the Music Program, National Endowment for the Arts. Her previous Scarecrow Press books include International Sweethearts of Rhythm (1998) and Black Conductors (1995).

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