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Author:   Christopher Pinney ,  Nicholas Thomas
Publisher:   Taylor & Francis Ltd
Imprint:   Berg Publishers
Dimensions:   Width: 15.60cm , Height: 1.70cm , Length: 23.40cm
Weight:   0.453kg
ISBN:  

9781859734599

ISBN 10:   1859734596
Pages:   300
Publication Date:   01 September 2001
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction 1 Romanticism, from Foi Site Poetry to Schubert’s Winterreise 2 Agency, History and Tradition in The Construction of ‘Classical’ Music: The Debate Over ‘Authentic Performance’ 3 Why Knot? Towards a Theory of Art and Mathematics 4 Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau 5 What Makes Singo Different: North Vanuatu Textiles and the Theory of Captivation 6 The Captivating Agency of Art: Many Ways of Seeing 7 The Fame of Trinis: Websites as Traps 8 Piercing the Skin of the Idol 9 The Politics and Personhood of Tibetan Buddhist Icons 10 Aboriginal Cultural Production into Art: The Complexity of Redress 11 When the (Oven) Gloves Are Off: The Queen’s Baton – Doing What to Whom? 12 The Patent and the Malanggan

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Author Information

Christopher Pinney is Senior Lecturer in Material Culture in the Department of Anthropology, University College London Nicholas Thomas is Professor of Anthropology at Goldsmiths College, University of London. His books include 'Entangled Objects' (1991),'Colonialism's Culture' (1994) and 'Possessions: Indigenous Art/Colonial Culture' (1999)

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