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Awards
OverviewOur day-to-day musical enjoyment seems so simple, so easy, so automatic. Songs instantly emanate from our computers and phones, at any time of day. The tools for playing and making music, such as records and guitars, wait for us in stores, ready for purchase and use. And when we no longer need them, we can leave them at the curb, where they disappear effortlessly and without a trace. These casual engagements often conceal the complex infrastructures that make our musical cultures possible. Audible Infrastructures takes readers to the sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles that seem peripheral to musical culture and shows that they are actually pivotal to what music is, how it works, and why it matters. Organized into three parts dedicated to the main phases in the social life and death of musical commodities DL resources and production, circulation and transmission, failure and waste DL this book provides a concerted archaeology of music's media infrastructures. As contributors reveal the material-environmental realities and political-economic conditions of music and listening, they open our eyes to the hidden dimensions of how music is made, delivered, and disposed of. In rethinking our responsibilities as musicians and listeners, this book calls for nothing less than a reconsideration of how music comes to sound. Full Product DetailsAuthor: Kyle Devine (Associate Professor of Musicology, Associate Professor of Musicology, University of Oslo) , Alexandrine Boudreault-Fournier (Associate Professor of Anthropology, Associate Professor of Anthropology, University of Victoria)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.10cm , Height: 1.80cm , Length: 15.50cm Weight: 0.458kg ISBN: 9780190932640ISBN 10: 0190932643 Pages: 304 Publication Date: 17 March 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsWhen a needle drops on a record or the play button is pressed the sound issuing forth rests upon massive infrastructural systems in order to exist. Audible Infrastructures brings those infrastructures into focus. It looks less at music than at the technologies music is stored on, the raw materials extracted to make them, and the waste they turn into. Drawing on emergent work on infrastructures and media ecologies the editors have produced a field defining book, one that is effortlessly inventive, and one of the most stimulating I have read in a long time. -- Brian Larkin, Professor of Anthropology, Barnard College Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material. -- Shannon Mattern, Department of Anthropology, The New School """When a needle drops on a record or the play button is pressed the sound issuing forth rests upon massive infrastructural systems in order to exist. Audible Infrastructures brings those infrastructures into focus. It looks less at music than at the technologies music is stored on, the raw materials extracted to make them, and the waste they turn into. Drawing on emergent work on infrastructures and media ecologies the editors have produced a field defining book, one that is effortlessly inventive, and one of the most stimulating I have read in a long time."" -- Brian Larkin, Professor of Anthropology, Barnard College ""Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material."" -- Shannon Mattern, Department of Anthropology, The New School" Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material. * Shannon Mattern, Department of Anthropology, The New School * When a needle drops on a record or the play button is pressed the sound issuing forth rests upon massive infrastructural systems in order to exist. Audible Infrastructures brings those infrastructures into focus. It looks less at music than at the technologies music is stored on, the raw materials extracted to make them, and the waste they turn into. Drawing on emergent work on infrastructures and media ecologies the editors have produced a field defining book, one that is effortlessly inventive, and one of the most stimulating I have read in a long time. * Brian Larkin, Professor of Anthropology, Barnard College * Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material. * Shannon Mattern, Department of Anthropology, The New School * Author InformationKyle Devine, Associate Professor, Department of Musicology, University of Oslo, Norway, Alexandrine Boudreault-Fournier, Associate Professor of Anthropology, University of Victoria, Canada Kyle Devine is Associate Professor in the Department of Musicology at the University of Oslo, Norway. He is the author of Decomposed: The Political Ecology of Music, which won a Professional and Scholarly Excellence (PROSE) Award from the Association of American Publishers as well as the IASPM Canada Book Prize. Alexandrine Boudreault-Fournier is Associate Professor of Anthropology at the University of Victoria, Canada. She is the author of Aerial Imagination in Cuba: Stories from Above the Rooftops and Editor-in-Chief of the journal Anthropologica. She directed the film Golden Scars, partially funded by the National Film Board of Canada, and codirected the films Guardians of the Night, Fabrik Funk, and The Eagle. Tab Content 6Author Website:Countries AvailableAll regions |