Overview

"This book analyzes a wide range of Beardsley's most characteristic work. It establishes his assumptions about the underlying nature of his world, and clarifies why so many observers have considered Beardsley's art indispensable to understanding fin-de-siècle Victorian culture. Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority. Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including foetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy (the icon of the Decadent ""Religion of Art""). Incarnating the fearful contradictions of decadence, these images served as objective correlatives of some ""monstrous"" metaphysical contortion. His grotesques suggest the impossibility of resolving these contradictions, even as his elegant designs try formalistically to control and recuperate the disfiguration. As a canonical style, Beardsley's ""dandy"" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a ""caricature"" of traditional signification. An aesthete devoted to the ""Religion of Art"", Beardsley, nonetheless, creates a world inescapably ""de-formed"". He is a Dandy of the Grotesque."

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9780195090628

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This comprehensive examination resolves many of the questions and paradoxes that surround the 'Dandy of the Grotesque' and should become the standard work on Beardsley for years to come. --Choice<br> A supremely elegant volume, teeming with countless splendid Beardsley illustrations... Nineteenth-Century Literature<br> Snodgrass's book...performs a most valuable function not only in providing new ways of looking at Beardsley's images, but also in provoking us to think about how properly to theorize the postmodern element of modernism. --Victorian Studies<br>

...densely packed and theoretically sophisticated study of Beardsley. * London Review of Books *

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