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OverviewFull Product DetailsAuthor: Agata Ulanowska , Karina Grömer , Ina Vanden Berghe , Magdalena ÖhrmanPublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: 1st ed. 2022 Weight: 0.654kg ISBN: 9783030921729ISBN 10: 3030921727 Pages: 338 Publication Date: 30 April 2023 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of contributors.- Part I: About this volume and textile research in 2020.- Chapter 1. Introduction (Agata Ulanowska, Karina Grömer, Ina Vanden Berghe and Magdalena Öhrman).- Chapter 2. Old Textiles – New Possibilities. Ten Years on (Eva Andersson Strand, Ulla Mannering and Marie-Louise Nosch).- Part II: Interdisciplinarity of Colour: Dye analyses and dyeing technologies.- Chapter 3. Monobromoindigo: The Singular Chromatic Biomarker for the Identification of the Malacological Provenance of Archaeological Purple Pigments from Hexaplex Trunculus Species (Zvi C. Koren).- Chapter 4. Sasanid Dyes from Ancient Persia – Case Study Chehrābād in Northern Iran (Ina Vanden Berghe and Karina Grömer).- Part III: Interdisciplinary Approaches to Textile Tools.- Chapter 5. Textile Production in Some Early Neolithic Settlements in North Macedonia (Zlata Blažeska and Jasemin Nazim).- Chapter 6. Tradition versus Innovation? Horizontal (Ground-) and Vertical (Warp-weighted) Looms at Koukonisi, Lemnos (Tina Boloti).- Chapter 7. Weaving Traditions in Archaic Sicily: The Case Study of Portella Sant’Anna (Gabriella Longhitano).- Chapter 8. Visible Tools, Invisible Craft: An Analysis of Textile Tools across the Iron Age South Coast of Britain (Lewis Ferrero).- Chapter 9. Combing the Data: Re-evaluating ‘Weaving’ Combs in the Textile Production Sequence During the British Iron Age (Jennifer Beamer).- Chapter 10. From Use Wear to User: Working with Literary Sources on Worn Textile Tools (Magdalena Öhrman).- Part IV: Traditions and Contexts: Fibres, Fabrics, Techniques, Uses and Meanings.- Chapter 11. Lime Bast Winning: Know-How, Labour Input and Quantity Needed for the Production of Two Selected Neolithic Finds (Sabine Karg).- Chapter 12. Food for Thought or Threads for Weaving: Can we Identify the Uses for Ancient Flaxseeds Discovered in the Southern Levant? (Deborah Cassuto, Andrea Orendi and Itzhaq Shai).- Chapter 13. The Relationship between Textile Remains in a Hoard of Alexander II Zabinas Coins and Loom Weights Discovered at Hellenistic Tell Iẓṭabba (Beth She’an, Nysa-Scythopolis), Israel (Orit Shamir, Achim Lichtenberger and Oren Tal).- Chapter 14. Unravelling the Threads of the Nubian Openworks. New Inquiries on a Unique Textile Tradition from Meroitic Sudan (c. 350 BCE–350 CE) (Elsa Yvanez and Ulrikka Mokdad).- Chapter 15. Interdisciplinary Methods and New Perspectives on Inscribed Textiles: A Case Study of Christian ‘Tiraz’ (Julia L. Galliker and Helga Rösel-Mautendorfer).- Chapter 16. Weaving Experiments with the Rigid Heddle: Woven-in Metal Spirals from Siksälä and ‘Auleja’ technique (Ronja Lau).- Part V: Digital Tools.- Chapter 17. Investigating Relations between Textile Production and Seals and Sealing Practices in Bronze Age Greece: A Presentation of the New “Textile and Seals” Project Database (Agata Ulanowska).- Chapter 18. 3D Visualization of the 2400-Year-Old Garments of Salt Man 4 from Chehrābād, Iran (Aleksei Moskvin, Karina Grömer, Mariia Moskvina, Victor Kuzmichev, Abolfazl Aali and Thomas Stöllner).ReviewsAuthor Information"Agata Ulanowska is an Assistant Professor in the Faculty of Archaeology, University of Warsaw. Her research interests focus on the Bronze Age Aegean, textile production and technology, especially textile tools, experimental archaeology, and Aegean seals, and sealing practices in relation to textiles and textile production. She was awarded with two grants of the National Science Centre of Poland, for the projects: “Textile production in Bronze Age Greece – comparative studies of the Aegean weaving techniques” (2015–2017) and ""Textiles and Seals. Relations between textile production and seals and sealing practices in Bronze Age Greece” (2018–2021). She is a chair of the COST Action CA 19131 “EuroWeb. Europe Through Textiles: Network for an integrated and interdisciplinary Humanities”. Karina Grömer is the head of the Department of Prehistory, Natural History Museum Vienna. She studied Prehistoric Archaeology, Ethnology and Anthropology at the Universityof Vienna in Austria. Habilitation thesis: “Archaeological Textile Research - Technical, economic and social aspects of textile production and clothing from Neolithic to the Early Modern Era”. She is specialised on interdisciplinary and integrated analysis of textiles, research on textile tools and reconstruction of prehistoric costume. Her research covers a time-span from c. 2500 BC till 1000 AD and a geographical area from Central Europe to Iran (research projects e.g. “DressID - Clothing and Identity in Roman Empire”, “CinBA – Creativity in the Bronze Age” and “Chehrabad Saltmummy & Saltmine Exploration Project”, “EuroWeb. Europe Through Textiles: Network for an integrated and interdisciplinary Humanities”). She is also teaching at the Universities Vienna (Austria) and Southampton (Great Britain). Ina Vanden Berghe is leading the Textile Research Unit at the Laboratory Department of the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels. She specialises in the study of materials, techniques and degradation aspects of organic materials. Her main research activities relate to natural and synthetic organic dye and protein identification (amino acid based) with chromatographic, spectroscopic and/or microscopic techniques. Besides, she is also experienced in the study of metal thread and plant fibre identification. For the Leather, Paper and Parchment Research Unit at KIK-IRPA, she covers the research on organic dye/pigments and on the (cellulosic or proteinaceous) primary material. Her special interest however goes to the field of archaeological textiles and the degradation problems related to various burial and preservation conditions. She has participated in several research projects such as “MODHT – Monitoring of the Damage in Historic Tapestries”, “DressID – Clothing and Identity in Roman Empire’, “Eu–Artech – Access, Research and Technology for the Conservation of the European Cultural Heritage”; “Charisma – Cultural heritageAdvanced Research Infrastructures: Synergy for a multidisciplinary approach to conservation/restoration” and “Iperion – Integrated platform for European research infrastructures in the field of cultural heritage”. Magdalena Öhrman is Senior Lecturer in Classics at the University of Wales Trinity Saint David. Trained as a Classical Philologist in Sweden and Germany, her current research interests are in the area of Graeco-Roman textiles and textile production, textile terminology and technology, and in sensory experience in past societies. She held a Marie Skłodowska Curie fellowship at the Centre for Textile Research (University of Copenhagen) in 2016-2018 for the project ""Textile Reflections: Multi-Sensory Representation of Textile Work in Latin Poetry and Prose""." Tab Content 6Author Website:Countries AvailableAll regions |
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