Overview

Following previous books in the Threshold Trilogy by this author, this enquiry recognises that all that exists, is, since Einstein, some form of patterned energy. It unfolds a strategy based on the grammatical structure of the ratio-patterned energy that is music, to uncover a new way of looking at the actual existential nature of human thought and of that same flowing reality from which it springs. It explores why humans still describe an energy-field, with thoughts formed with a medieval grammar steeped in human belief. It acknowledges that time is a human period-measuring artefact, to humanly measure the flowing stream of said reality. It explores how as an existential patterned energy field, reality is continually being formed analogous to a resonant musical symphony. As such it's structure is analogous to that of music. The existential manner in which music, as transducible energy-patterns, can harmonically flows to appear as human thought in the human brain, evokes a new reality-paradigm far beyond traditional believed Biblical explanations. Conceived as a prequel to 'Sentience & All That Jazz', this book enquires how the flowing energetic physical structures of the world are formed by organised patterns of ratios of physical harmonic energy intervals. It also explores how these interval-patterns are mirror-reflected, to modulate the electrochemical energy in the human neural system to be what we know as Thought.

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