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OverviewKate Mondloch examines how new mediainstallation art intervenes in technoscience and new materialism, showing howthree diverse artists-Pipilotti Rist, Patricia Piccinini, and MarikoMori-address everyday technology and how it constructs our bodies. Mondlochestablishes the unique insights that feminist theory offers to new media artand new materialisms, offering a fuller picture of humannonhuman relations. Full Product DetailsAuthor: Kate MondlochPublisher: University of Minnesota Press Imprint: University of Minnesota Press Dimensions: Width: 14.00cm , Height: 2.50cm , Length: 21.60cm ISBN: 9781517900496ISBN 10: 1517900492 Pages: 168 Publication Date: 23 January 2018 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsContents 1. Eye Desire: New Media Art and New Materialisms after Feminism 2. Thinking through Feminism: The Critical Legacy of 1970s and 1980s Feminist Media Art and Theory 3. Critical Proximity: Pipilotti Rist’s Exhibited Interfaces and the Contemporary Art Museum 4. Unbecoming Human: Patricia Piccinini’s Bioart and Postanthropocentric Posthumanism 5. Mind over Matter: Mariko Mori, Art History, and the Neuroscientific Turn Conclusion Acknowledgments Notes IndexReviewsMondloch shows that new media art installations and theories of feminist materialism inform one another in ways of interest to artists, art historians, and new media and feminist scholars. -CHOICE Mondloch's approach couples aesthetics and ethics through activist prose that is unafraid to embrace populism or pleasure, or to revisit theoretical and historical misreadings of the past (and present). This book does not attempt to explain anything. Rather, it practices, and invites us to practice, conceptual-material engagements with art, and thus sensation, perception, and action. Such practice, the author convincingly argues over the entirety of her manuscript, is intrinsically feminist. -Theory & Event Author InformationKate Mondloch is professor of contemporary art and head of the Department of the History of Art and Architecture at the University of Oregon. She is author of Screens: Viewing Media Installation Art (Minnesota, 2010). Tab Content 6Author Website:Countries AvailableAll regions |
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