BIG. Yes is More. An Archicomic on Architectural Evolution

Author:   Taschen
Publisher:   Taschen GmbH
ISBN:  

9783836520102


Pages:   400
Publication Date:   01 October 2009
Format:   Book
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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BIG. Yes is More. An Archicomic on Architectural Evolution


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Full Product Details

Author:   Taschen
Publisher:   Taschen GmbH
Imprint:   Taschen GmbH
Dimensions:   Width: 16.30cm , Height: 2.50cm , Length: 25.00cm
Weight:   1.138kg
ISBN:  

9783836520102


ISBN 10:   3836520109
Pages:   400
Publication Date:   01 October 2009
Audience:   General/trade ,  General
Format:   Book
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Yes is more is a popular and easily accessible manifesto for architecture as one of the most relevant aggregates of the 21st century in which we may epitomise and answer many of the global agenda-setting questions. In the exhibition and in the book, B.I.G. shows how they conceptualise the polymorphous demands, complex rules and highly specialised knowledge of society, creating tangible solutions through artistic processes; solutions which time and again attract the interest of the population at large as well as the respect of global aficionados. Yes is more is a communication created in this very spirit - combing elite and popular elements - allowing the sublime to shone through in the commonplace. Thus audiences are invited into B.I.G.'s processes, methods and results using the most approachable and populist means of communication available - the cartoon. -Kent Martinussen, Architect, CEO, Danish Architecture Centre


As a vehicle for delivering Ingel's can-do dynamism, it works.


Author Information

Bjarke Ingels is a ""yes man."" He rises to the challenge of just about any demand, be it reasonable or otherwise, with an unqualified ""Yes."" This fuels his ambition to absorb all the political interests surrounding a project and to turn them into backbending forms that disarm the opposition.

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